The history of the life and adventures of Mr. Duncan Campbell : $b a gentleman, who, tho' deaf and dumb, writes down any stranger's name at first sight, with their future contingencies of fortune
General
The history of the life and adventures of Mr. Duncan Campbell : $b a gentleman, who, tho' deaf and dumb, writes down any stranger's name at first sight, with their future contingencies of fortune
Campbell, Duncan, 1680?-1730; Deaf people -- Great Britain -- Biography; Occultism -- Early works to 1900; Prophets -- Great Britain -- Biography
fortunate, that such spirits resorted there. With these replies the
friars began to own they were very well satisfied, and acquiesced in the
account he had given of himself as a very good, true, and honest
account; but they told him they had still a farther accusation against
him, and that was, that he practised magic arts, and that he used, as
they had been informed, unlawful incantations. To this he made answer,
that there were two kinds of magic, of which he knew they that were men
of learning could not be ignorant. The art of magic, which is wicked and
impious, continued he, is that which is professed, and has been
professed at all times in the world, by witches, magicians, diviners,
enchanters, and such like notorious profligates; who, by having an
unnatural commerce with the devil, do many strange, prodigious, and
preternatural acts, above and beyond all human wisdom; and all the
arguments I ever did, or ever will deduce, continued he, from that black
art, is a good and shining argument; it is this, O fathers: I draw a
reason from these prodigious practices of wizards, magicians,
enchanters, &c, and from all the heathen idolatry and superstition, to
prove that there is a Deity; for from these acts of theirs, being
preternatural and above human wisdom, we may consequently infer that
they proceed from a supernatural and immaterial cause, such as demons
are. And this is all the knowledge I ever did or ever will draw from
that black hellish art. But, fathers, there is another kind of art
magic, called natural magic, which is directly opposite to theirs, and
the object of which art is to do spiritual good to mankind, as the
object of theirs is to torment them, and induce them to evil. They
afflict people with torments, and my art relieves them from the torments
they cause. The public profession of these magical arts has, as you
know, fathers, it is a common distinction, between black and white
magic, been tolerated in some of the most famous universities of
Christendom, though afterwards for a very good reason in politics,
making it a public study to such a degree was very wisely retrenched by
prohibition. If this, therefore, be a fault in your own opinions, hear
my accusers, but if not, you will not only excuse, but commend me.
Public-domain text, read in full here on John Shaqi.
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