The History of the Manners and Customs of Ancient Greece, Volume 1 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 1 (of 3)
St. John, James Augustus
Greece -- Social life and customs
In whatever way we decide on the metaphysics of the matter, certain it
is that in old times music was an universal accomplishment in most
parts of Greece; but this was when it was little more than the
chanting of savages, in which, however ignorant, any one may join.
Exactly in proportion as it rose into an art its cultivators
diminished in number, until, when a high degree of perfection had been
attained, it was abandoned almost wholly to professional musicians.
The Athenians had been commanded by the Pythian oracle to chant
chorically in the streets, a divine service in honour of Bacchos.[914]
At Sparta similar performances took place during the gymnopædia, when
choruses of naked men and boys, with crowns of palm leaves on their
heads, proceeded through the streets singing the songs of Thaletas and
Alcman and the pæans of Dionysidotos.[915] Mr. Müller, who loves to
complete or round off the accounts he finds in ancient authors, says
that, _doubtless_, a large portion of the inhabitants of the city took
part in these exhibitions. Perhaps they did, but we have no authority
for such a supposition. The place in the agora which contained statues
of Apollo, Artemis and Leto, was called _Choros_,[916] because there
the Ephebi danced in choruses in honour of Apollo. On these occasions
unwarlike persons were sometimes thrust into the least honourable
places,[917] while bachelors were excluded; so that, as Schneider has
well remarked, cowardice was less dishonourable than celibacy. But it
does not at all appear that the Spartans themselves were ever good
musicians, though they were not incapable of relishing good
music;[918] and hence the foreign musicians who flocked thither found
a welcome reception. The developement of the warlike constitution of
the state threw the favourable side of their discipline into the
shade.[919]
Footnote 914:
Demosth. in Mid. § 15.
Footnote 915:
Athen. xv. 22.
Footnote 916:
Paus. iii. 11. 9.—Müller, ii. 341., supposes the whole agora may
have been thus denominated.
Footnote 917:
Xen. de Rep. Lac. ix. 5. Plut. Lycurg. § 15.
Footnote 918:
Aristot. Pol. viii. 5.
Footnote 919:
Cf. Müll. Dor. ii. 342.
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