The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)
St. John, James Augustus
Greece -- Social life and customs
Plat. de Rep. viii. t. ii. p. 229, seq. Athen. xiii. 44. In Roman
times we find an actor travelling from the capital to Seville in
Spain, where with his lofty cothurni, strange dress, and gaping mask,
he frightened the natives out of the theatre.—Philost. Vit. Apoll.
Tyan. v. 9. Cf. Luc. de Saltat. § 27. A taste for the amusements of
the Grecian stage was diffused far and wide through the ancient world,
so that we find the princes of Persia and Armenia not only enjoying
the representation of Greek tragedies, but themselves, likewise, in
some instances, aspiring to rival the dramatic poets of Hellas. Thus
Artavasdes, the Armenian prince, is said to have written tragedies, as
well as histories and orations, some of which still existed in the age
of Plutarch. The Parthian court was engaged in beholding the Bacchæ of
Euripides, in which Jason of Tralles was the principal performer, when
Sillaces brought in the head of Marcus Crassus, upon which both king
and nobles delivered themselves up to immoderate joy, and the actor,
seizing upon the Roman’s head, exchanged the part of Pentheus for that
of his mother, who appears upon the stage bearing a bleeding head upon
her thyrsus; for this he received a present of a talent from the
king.—Plut. Crass. § 33. Polyæan. vii. 41. 1.
Footnote 919:
Plut. Cleom. § 12.
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About this period, however, it was usual for the armies of Greece,
republican as well as royal, to be followed by companies of strollers,
jugglers, dancing girls, and musicians.[920] Even in the army of
Alexander, when proceeding on the Persian expedition, the “flatterers of
Dionysos”[921] were not forgotten; in fact, the son of Philip set a high
value upon the performances of these gentlemen, and with truly royal
munificence allowed them to enjoy their full share of the plunder of the
East. Thus, when Nicocreon, king of Salamis, and Pasicrates, king of
Soli,[922] played the part of Choregi in Cyprus, in getting up certain
tragedies there performed for the amusement of Alexander, and the
actors, Thessalos, and Athenodoros the Athenian, contended for the
prize; he was piqued at the victory of the Athenian, and, though he
commended the judges for bestowing the prize on him whom they regarded
as the best performer, said, he would have given a part of his kingdom
rather than have beheld Thessalos overcome by a rival.
-----
Footnote 920:
Plut. ubi supra.
Footnote 921:
Διονυσοκόλακες. Athen. vi. 56.
Footnote 922:
Plut. Alex. § 29.
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Afterwards, when Athenodoros was fined by his countrymen for absenting
himself from Athens during the Dionysiac festival, evidently contrary to
the statutes in that case made and provided, Alexander paid the fine for
his humble friend, though he refused to make application to the people
for its remission.
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