The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)
St. John, James Augustus
Greece -- Social life and customs
a comb, was presented by Clearchus to Ctesias to be shown to his friends
at Lacedæmon, was a dance of Caryatides.[1003]
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Footnote 996:
Id. ib.
Footnote 997:
Poll. iv. 104.
Footnote 998:
See Müller. ii. 354.
Footnote 999:
Poll. iv. 104.
Footnote 1000:
Schol. Aristoph. Nub. 534.
Footnote 1001:
Poll. iv. 104.
Footnote 1002:
Vitruv. i. 1.—Poll. iv. 104.
Footnote 1003:
Plut. Artaxerx. § 18.
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Amid the laxity of morals which prevailed in the later ages of Greece,
the Pyrrhic,[1004] once supposed to be peculiar to warriors, degenerated
into a dance of Bacchanals, with thyrsi instead of spears, or carrying
torches in one hand, while with the other they sportively cast light
reeds at one another. The story told in this mimetic performance
referred to remote antiquity, and was both curiously and elaborately
intricate, comprehending all the adventures of Bacchos and his merry
crew during the Indian expedition, and assuming towards the conclusion a
tragical form, developing the sad story of Pentheus.[1005]
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Footnote 1004:
Duport. ad Theoph. Char. c. 6. p. 305, sqq. Poll. iv. 99.—Athen. xiv.
29. On the Cretan warlike dances Orsites and Epicredios, id. xiv.
26.—Luc. de Saltat. § 9.
Footnote 1005:
Athen xiv. 29.
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Among the dances of a grave character are enumerated the Gingra
performed like the Podismos to slow and solemn music, the Lion and the
Tetracomos,[1006] a warlike measure performed in honour of Heracles and
supposed in its origin to have had some connexion with the Tetracomoi of
Attica, that is, the Peiræeus, Phaleron, Oxypeteones, and
Thymotadæ.[1007] We read, moreover, of dances in which the performers
represented certain historic or mythological personages, such as
Rhodope, Phædra, or Parthenope.[1008]
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Footnote 1006:
Poll. iv. 99.
Footnote 1007:
Poll. iv. 105.
Footnote 1008:
Luc. de Saltat. § 2.
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The Anthema,[1009] or Flower-dance, appears to have been chiefly
performed in private parties by women, who acted certain characters and
chanted, as they moved, the following verses:
Where is my lovely parsley, say?
My violets, roses, where are they?
My parsley, roses, violets fair,
are my flowers? Tell me where.
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Footnote 1009:
Athen. xiv. 27.
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