The History of the Manners and Customs of Ancient Greece, Volume 3 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 3 (of 3)
St. John, James Augustus
Greece -- Social life and customs
Occasionally articles of plate of enormous size were manufactured,[795]
such as cisterns,[796] or vases, or tripods, or salvers, or goblets of
gold or silver, presented as offerings by whole cities or communities to
some divinity. In these cases the workmanship was very frequently so
elaborate and exquisite as to be still more costly than the materials.
Entire landscapes, including innumerable figures and objects were
sometimes represented on the swell of a vase or goblet: Bacchanalian
processions, for example, with whole troops of satyrs and mænades moving
along some wooded valley, or desert mountain, or rocky shore, at the
heels of the Seileni and Dionysos, groups of nereids, nymphs, and
tritons, sporting in the warm sunshine, on the unruffled expanse of
ocean; and sacrifices, marriages, chariot-races, and chorusses of youths
and virgins, moving through the mazes of the dance, around the altar of
Apollo or Artemis. It is also to Hellenic goldsmiths that we are
evidently to attribute those marvellous productions of art reckoned
among the most boasted possessions of the Persian kings, such as that
vine of gold,[797] with its vast grape clusters, imitated both in size
and colour by the most precious gems, which formed a canopy over the
royal couch, or that golden platane-tree[798] and other vine, which,
rising from behind the throne, stretched its branches, tendrils, and
leaves of gold aloft over the monarch as he sat in state to give
audience to his people. Here the bunches of grapes in various stages of
ripeness were represented by emeralds, Indian carbuncles, and other
precious stones of the richest and most dazzling hues. These things we
know were not the works of Persians, having been presented to Darius by
Pythios, the Lydian, who, doubtless, caused them to be fashioned by
Grecian artists. What may have been the exact dimensions of this
platane-tree we know not; but, no doubt, Antiochos took an orator’s
licence, when, in an assembly of the Arcadians, he described it as too
diminutive to afford shelter to a grasshopper.[799]
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Footnote 795:
Athen. ix. 75. From the quantity of gold and silver plate laid up in
the Egyptian temples, it is evident the same taste prevailed also in
Egypt. Luc. Toxar. § 28.
Footnote 796:
Herodot. i. 51.
Footnote 797:
Athen. xii. 8. Herod. vii. 27.
Footnote 798:
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