The History of the Manners and Customs of Ancient Greece, Volume 3 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 3 (of 3)
St. John, James Augustus
Greece -- Social life and customs
Cannibals, Black Cloaks, and Arimaspians, delighted; and manufactured
from the leg-bones of eagles and vultures.[1118] The Celts and the
islanders of the ocean, our own forefathers, doubtless eschewed the
music of vultures’ legs, and contented themselves with the notes of the
syrinx.[1119]
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Footnote 1103:
Cf. Aristot. Problem. xix. 23.
Footnote 1104:
Cf. Philost. Icon. i. 20. p. 794.
Footnote 1105:
The borders of this lake must at all times have presented a most
picturesque appearance, tufted as they were with thickets of the
willow and the eleagnos, while a variety of terrestrial and aquatic
plants descended its banks and spread themselves far into the water,
as the pipe and the common reed, the white nymphæa, the typha, the
phleos, the cyperos, the menyanthos, the icmè, and the ipnon. Theoph.
Hist. Plant. iv. 10. 1.
Footnote 1106:
Theoph. Hist. Plant. iv. 11. 8. Dioscor. i. 94. The κάλαμος συριγγίας
is the Saccharum Ravennæ of Sibthorp, Flora Græca, tab. 52, where it
is observed, that it is found “in Peloponneso coprosè; ad littora
Ponti Euxini propè _Fanar_.”
Footnote 1107:
Theoph. Hist. Plant. iv. 11. 9.
Footnote 1108:
The form of the modern pipe is thus described by Chandler, who, after
having spoken of the taborer, adds “this was accompanied by a pipe
with a reed for the mouth-piece, and below it a circular rim of wood,
against which the lips of the player came. His cheeks were much
inflated, and the notes so various, shrill, and disagreeable, as to
remind me of the composition designed for the ancient Aulos or flute,
as was fabled by Minerva.” Travels, &c. i. 49.
Footnote 1109:
Cf. Gitone, Il Costume, tav. 65.
Footnote 1110:
Theoph. Hist. Plant. iv. 11. 6, seq.
Footnote 1111:
Schol. Aristoph. Acharn. 827, seq. Cf. Plat. De Rep. t. vi. p. 386.
Footnote 1112:
Theoph. Hist. Plant. iv. 3. 3. Poll. iv. 74.
Footnote 1113:
Poll. iv. 74. Comm. t. iv. p. 720. Ælian. De Nat. Animal. xii. 44.
Footnote 1114:
Poll. iv. 75.
Footnote 1115:
Id. iv. 75.
Footnote 1116:
Athen. iv. 76. Poll. iv. 76.
Footnote 1117:
Athen. iv. 75. Hesych. v. γιγγρίσι.
Footnote 1118:
Poll. iv. 76.
Footnote 1119:
Suid. v. σύριγξ, t. ii. p. 844. a.
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In earlier times there was a flute appropriated to each mode, or grand
division of the national music, but afterwards Pronomos of Thebes,[1120]
invented one equally well suited to every mode. Even the manufacture of
mouth-pieces, and flute-cases formed a considerable branch of industry.
The materials from which the above instruments were chiefly made, were,
in addition to those already mentioned, branches of the elder tree and
dwarf laurel, bones of asses and kids, ivory and silver.[1121] Organs,
and hydraulic organs, the latter invented by the Alexandrian barber
Ctesibios, to whom antiquity was likewise indebted for the knowledge of
the pump, were reckoned by the ancients among wind-instruments.[1122]
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Footnote 1120:
Public-domain text, read in full here on John Shaqi.
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