The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
The best magazine now in existence is the _Neuer Geist_, of which the
first seven numbers were edited by Harkavy, but which now appears under
the editorship of Gorin. It is a periodical of science, literature, and
art, and has no special political bias. We find here the same
contributors as in former monthlies. To those mentioned before may be
added the names of Budianov, Feigenbaum, and Solotkov, who have written
many good articles on sociological and philosophical matters, and Katz,
who is an astute critic. Here has also appeared the best translation in
verse of one of Shakespeare's dramas, 'The Merchant of Venice,' from the
pen of the poet Bovchover. Another, smaller magazine, _Die Zeit_,[110]
is published by the Hebrew poet M. M. Dolizki. Another well-conducted
monthly is the _Neue Zeit_, issued by the Jewish-speaking sections of
the Socialist Labor Party of the United States. There is no material
difference in the composition of the contributors' staff. A few more
names might be added to the list of men who have been active in
spreading information among the Russian Jews, such as Feigenbaum,
Wiernik, Bukanski. Seiffert has written some interesting accounts of the
Jewish stage in America, but his language is of the order of Dick or
even worse; Rosenfeld and Sharkansky have at various times produced some
sketches and even dramas, but they are more strictly poets, as which
alone they will survive.
The time is not far away when there will not be a Judeo-German press in
America. The younger generation never looks inside of a Jewish paper
now, and the next following generation will no longer speak the dialect,
unless something unforeseen happens by which the existence of that
anomaly shall be made possible. Already _The Jewish Gazette_, taking
time by the forelock, has begun issuing an English supplement to its
Judeo-German weekly. It wants to secure its lease of life by passing
over by successive steps to a periodical published entirely in English,
without a violent loss of its subscribers. Several of the intelligent
writers in the vernacular are at the same time contributing to the
English press, while some have entirely abandoned their Judeo-German. In
the meanwhile that literature is developing a feverish activity. From
its ashes will rise new forces in the English literature of America
that will add no small mite to its pages. In the short time of the
existence of the Judeo-German in America, it has passed through three
distinct stages: the first was the era of the sensational novel; then
followed the socialistic propaganda, coupled with the evolution of the
press, but particularly the magazine. Now, without abandoning entirely
the social and political ideals, the writers are combining to popularize
science and to produce a pure literature. The latter is more or less
under the sway of the Russian writers Chekhov, Korolenko, and Garshin.
What Russia has done for the Jews in the seventies is reaped by the
masses in the nineties in America.
Public-domain text, read in full here on John Shaqi.
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