The Hittites : $b The story of a forgotten empireSayce, A. H. (Archibald Henry)
History
The Hittites : $b The story of a forgotten empire
Sayce, A. H. (Archibald Henry)
Hittites
Semiramis may turn out to have been the Hittite name of the goddess
called Athar-'Ati by the Aramean inhabitants of Hierapolis. In this case
the difficulty of accounting for the existence of the two names would
have been solved in the old myths by making her the daughter of Derketo.
But while Derketo was a fish-goddess, Semiramis was associated with the
dove, like the Ashtoreth or Aphroditê who was worshipped in Cyprus. The
symbol of the dove had been carried to the distant West at an early
period. Among the objects found by Dr. Schliemann in the prehistoric
tombs of Mykenæ were figures in gold-leaf, two of which represented a
naked goddess with the hands upon the breasts and doves above her, while
the third has the form of a temple, on the two pinnacles of which are
seated two doves. Considering how intimately the prehistoric art of
Mykenæ seems to have been connected with that of Asia Minor, it is
hardly too much to suppose that the symbol of the dove had made its way
across the Ægean through the help of the Hittites, and that in the
pinnacled temple of Mykenæ, with its two doves, we may see a picture of
a Hittite temple in Lydia or Kappadokia.
The legends reported by Lucian about the foundation of the temple of
Mabog all agreed that it was dedicated to a goddess. The 'Holy City' was
under the protection, not of a male but of a female divinity, which
explains why it was that it was served by eunuch priests. If Attys or
Hadad was worshipped there, it was in right of his mother; the images of
the other gods stood in the temple on sufferance only. The male deity
whom the Greek author identified with Zeus must have been regarded as
admitted by treaty or marriage to share in the honours paid to her. It
must have been the same also at Boghaz Keui. Here, too, the most
prominent figure in the divine procession is that of the Mother-goddess,
who is followed by her son Attys, while the god, whose name may be read
Tar or Tarku, 'the king,' and who is the Zeus of Lucian, advances to
meet her.
In Cilicia and Lydia this latter god seems to have been known as Sandan.
He is called on coins the 'Baal of Tarsos,' and he carries in his hand a
bunch of grapes and a stalk of corn. We may see his figure engraved on
the rock of Ibreez. Here he wears on his head the pointed Hittite cap,
ornamented with horn-like ribbons, besides the short tunic and boots
with upturned ends. On his wrists are bracelets, and earrings hang from
his ears.
Public-domain text, read in full here on John Shaqi.
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