American essays -- 20th century; Child development; Children; Education
I tell you now from much living that there is nothing here in the world
that is worth fighting for, but the glad tolerance of events, sheer,
laughing joy in the Plan.... Every time you adjust your life to the
standard of the world, you are doing something that is beneath your
soul, and you will suffer for it, and be forced to retrace. Dress for
the world, and the world will find its flaws in you. Work for the world
according to its specification, and it will defile you. Enter into any
of the competitions of the world and your face and your hands and task
will be constricted by visible and invisible impediments and barriers,
less than the real of you in every detail. Search for health according
to the laws of flesh alone, and it will elude you at every point,
showing you all vanities and pits and pains. Search for beauty of face
and body, and it will be the first thing taken. There is nothing in the
world but to make the human divine--that is the job we are here for.
To cease to hold is the beginning of invincible attraction; want
nothing and the treasures of the world are yours. You cannot have
health until you are ready to give up life here. Cease to cling,
and that which was a body held apart from you, is suddenly a winged
creature returning.... There is nothing here but the love story, and
the power of that must be spiritual. The madonna of the future will
look up, not down at the head upon her breast. Man must overcome
mammon; Woman must overcome the mammal. The lovers of the future will
look a little time in each other's eyes and much above to a Third who
will come nearer and nearer for their adoration.... The friends of the
future will sing in their Partings; they shall know the spirit and the
breath of _camaraderie_ which knows no death.
* * * * *
There is a tendency on the part of our young associates to be
extravagant in their speech. Much that they see is beyond their
capacity decently to express. A group of us was looking down from a
high balustrade. Flowery vines were woven intricately against the face
of the stucco below. We became conscious of an incredible whirring, so
low that it was difficult to hear, and yet so intense as to give the
thought of a distant seismic disorder. It was the invisible wings of a
humming-bird, flashing from cup to cup in the vines below. The child
standing next to me said:
"The sound has texture."
Public-domain text, read in full here on John Shaqi.
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