Adventure stories; Boys -- Fiction; East End (London, England) -- Fiction; Grandfathers -- Fiction; London (England) -- Fiction
Also (after some trouble) that no exception should be made to the
foregoing stipulation, even in the event of Mr. Cripps feeling it
necessary to go out somewhere to study a brick wall (or the hole in it)
from nature.
Nor even if he felt overcome by the smell of paint.
Agreed, however: that an exception be granted in the event of the house
being on fire.
Further: this with more trouble: that one pot of beer before dinner is
enough for any man seriously bent on the pursuit of art.
Moreover: that the board must not be painted white again.
Lastly: that the period of invention and meditation be considered at an
end; and that sleep on Mr. Cripps's part be regarded as an
acknowledgment that meals are over for the day.
These articles being at length agreed and confirmed, and Mr. Cripps
having been duly witnessed to make certain marks with charcoal on the
white board, as a guarantee of good faith, Grandfather Nat and I set out
for the Minories.
His moodiness notwithstanding, it was part of his new habit to keep me
near him as much as possible, day and night, with a sort of wistful
jealousy. So we walked hand in hand over the swing bridge, past Paddy's
Goose, into the Highway, and on through that same pageant of romance and
squalor. The tradesmen at their doors saluted Grandfather Nat with a
subdued regard, as I had observed most people to do since the news of
_Juno's_ wreck. Indeed that disaster was very freely spoken of, all
along the waterside, as a deliberate scuttling, and it was felt that
Captain Nat could lay his bereavement to something worse than the fair
chance of the seas. Such things were a part of the daily talk by the
Docks, and here all the familiar features were present; while it was
especially noted that nothing had been seen of Viney since the news
came. He meant to lie safe, said the gossips; since, as a bankrupt, he
stood to gain nothing by the insurance.
One tradesman alone, a publican just beyond Blue Gate, greeted my
grandfather noisily, but he was thoughtless with the pride of commercial
achievement. For he was enlarging his bar, a large one already, by the
demolition of the adjoining shop, and he was anxious to exhibit and
explain his designs.
"Why, good mornin', Cap'en," cried the publican, from amid scaffold
poles and brick-dust. "You're a stranger lately. See what I'm doin'?
Here: come in here an' look. How's this, eh? Another pair o' doors just
over there, an' the bar brought round like so, an' that for Bottle an'
Jug, and throw the rest into Public Bar. Eh?"
The party wall had already been removed, and the structure above rested
on baulks and beams. The bar was screened off now from the place of its
enlargement by nothing but canvas and tarpaulin, and my grandfather and
his acquaintance stood with their backs to this, to survey the work of
the builders.
Public-domain text, read in full here on John Shaqi.
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