Adventure stories; Boys -- Fiction; East End (London, England) -- Fiction; Grandfathers -- Fiction; London (England) -- Fiction
He had left Blue Gate an hour and more when Musky Mag emerged from her
black stairway, peering fearfully about the street ere she ventured her
foot over the step. So she stood for a few seconds, and then, as one
chancing a great risk, stepped boldly on the pavement, and, turning her
back to the Highway, walked toward Back Lane. This was the nearer end of
Blue Gate, and, the corner turned, she stopped short, and peeped back.
Satisfied that she had no follower, she crossed Back Lane, and taking
every corner, as she came to it, with a like precaution, threaded the
maze of small, ill-lighted streets that lay in the angle between the
great Rope Walk and Commercial Road. This wide road she crossed, and
then entered the dark streets beyond, in rear of the George Tavern; and
so, keeping to obscure parallel ways, sometimes emerging into the glare
of the main road, more commonly slinking in its darker purlieus, but
never out of touch with it, she travelled east; following in the main
the later course of the limy man, who had left Blue Gate by its opposite
end.
The fog, that had dulled the lights in Ratcliff Highway, met her again
near Limehouse Basin; but, ere she reached the church, she was clear of
it once more. Beyond, the shops grew few, and the lights fewer. For a
little while decent houses lined the way: the houses of those last
merchants who had no shame to live near the docks and the works that
brought their money. At last, amid a cluster of taverns and shops that
were all for the sea and them that lived on it, the East India Dock
gates stood dim and tall, flanked by vast raking walls, so that one
might suppose a Chinese city to seethe within. And away to the left, the
dark road that the wall overshadowed was lined on the other side by
hedge and ditch, with meadows and fields beyond, that were now no more
than a vast murky gulf; so that no stranger peering over the hedge could
have guessed aright if he looked on land or on water, or on mere black
vacancy.
Here the woman made a last twist: turning down a side street, and coming
to a moment's stand in an archway. This done, she passed through the
arch into a path before a row of ill-kept cottages; and so gained the
marshy field behind the Accident Hospital, the beginning of the waste
called The Cop.
Public-domain text, read in full here on John Shaqi.
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