He went round the room, examined some of the glass cases, gazed at some
of the pictures and, as he walked, said, pensively:
“How sad it is to leave all this! What a wrench! The happiest hours of
my life have been spent here, alone, in the presence of these objects
which I loved. And my eyes will never behold them again and my hands
will never touch them again—”
His drawn face bore such an expression of lassitude upon it that
Beautrelet felt a vague sort of pity for him. Sorrow in that man must
assume larger proportions than in another, even as joy did, or pride,
or humiliation. He was now standing by the window, and, with his finger
pointing to the horizon, said:
“What is sadder still is that I must abandon that, all that! How
beautiful it is! The boundless sea—the sky.—On either side, the cliffs
of Étretat with their three natural archways: the Porte d’Armont, the
Porte d’Aval, the Manneporte—so many triumphal arches for the master.
And the master was I! I was the king of the story, the king of
fairyland, the king of the Hollow Needle! A strange and supernatural
kingdom! From Cæsar to Lupin: what a destiny!” He burst out laughing.
“King of fairyland! Why not say King of Yvetot at once? What nonsense!
King of the world, yes, that’s more like it! From this topmost point of
the Needle, I ruled the globe! I held it in my claws like a prey! Lift
the tiara of Saitapharnes, Beautrelet.—You see those two telephones?
The one on the right communicates with Paris: a private line; the one
on the left with London: a private line. Through London, I am in touch
with America, Asia, Australia, South Africa. In all those continents, I
have my offices, my agents, my jackals, my scouts! I drive an
international trade. I hold the great market in art and antiquities,
the world’s fair! Ah, Beautrelet, there are moments when my power turns
my head! I feel intoxicated with strength and authority.”
The door gave way below. They heard Ganimard and his men running about
and searching.
After a moment, Lupin continued, in a low voice:
“And now it’s over. A little girl crossed my path, a girl with soft
hair and wistful eyes and an honest, yes, an honest soul—and it’s over.
I myself am demolishing the mighty edifice.—All the rest seems absurd
and childish to me—nothing counts but her hair—and her wistful eyes—and
her honest little soul—”
The men came up the staircase. A blow shook the door, the last door—
Lupin seized the boy sharply by the arm:
Public-domain text, read in full here on John Shaqi.
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