Chief of the former group are the angels, good and bad; and the jinn, or
genii, whom Islam took over from the ancient paganism of Arabia. The
angels are God’s attendants, and have some functions entirely
independent of natural phenomena. Thus the two stones which mark a
Moslem’s grave show the stations of the angels who are to examine him;
and the tuft of hair on his shaven head is (like the Jewish sidelocks)
to enable the Angel Gabriel to bear the man to heaven. Yet the angels
are in many instances personified parts of nature, guardians of the
land, spirits of wind or fire or water, who are obviously the
descendants and the heirs of the ancient local gods.[56] Thus the wicked
angels are supposed to have descended on Mount Hermon, and to have sworn
their oaths there--a belief which adds considerably to the importance of
the great mountain in Syrian estimation. The jinn are the demons of the
desert, lordly and terrible to all who have not the charm which masters
them, obedient as little children to those who have it. They are the
inhabitants of those whirling sandstorms which sweep across the waste.
Some superstitions of this kind may be connected with the former dangers
from wild beasts, which used to haunt the jungles of lower Jordan and
swarm up to the inland territories after an invasion had depopulated
them. Even now there may be seen in Palestine an occasional wolf or
leopard, to say nothing of the jackals which every traveller is sure to
see. Some of the fauna of Palestine are in themselves so strange as to
suggest unearthly affinities. The jerboa, for instance, the jumping
mouse of the desert, merits Browning’s description of him, when in
_Saul_ he says, “there are none such as he for a wonder, half bird and
half mouse.” The lizards, too, seem anything but ordinary respectable
law-abiding animals as they twinkle to and fro among the ruins of old
buildings. It is said that Mohammed refused to eat lizards, considering
that they were the metamorphosed spirits of Israelites.
Public-domain text, read in full here on John Shaqi.
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