The Holy Land and SyriaCarpenter, Frank G. (Frank George)
Religion
The Holy Land and Syria
Carpenter, Frank G. (Frank George)
Palestine -- Description and travel; Syria -- Description and travel
Let us get on our horses and ride on down the valley to visit the theatre
which once held the actors of the chief playhouse of Asia. Think of a
theatre seating thirty thousand. It is only in recent years that we have
built in the United States amphitheatres large enough to seat as many
people as used to watch the performances here more than two thousand
years ago. This great open-air structure was built largely of marble and
altogether of stone. The entrance to the stage was through tunnels, and
the stage was upheld by marble columns. The seats, which were made of
common stone covered with marble, ran around the stage or rather the pit
in the shape of a half moon, rising high up the hills at the back. They
were in three stories and contained sixty-six rows.
I measured the outline of the stage. It was about eighteen feet wide and
six or seven feet high. There are long underground passages leading to
it, and there were eight dressing rooms on two floors at the sides of the
stage. Walking through the pit, now filled with broken marble columns
and blocks of marble beautifully carved, I climbed down now and then and
tried to imagine the audience and the acting going on upon the marble
stage far below.
Leaving the theatre, I strolled about through the wide streets of marble,
which have been partially uncovered, and made photographs of bits of
the ruins. There is enough of this fine stone here to build a structure
equal to our national Capitol at Washington. This is mixed with mosaic
and the broken statues of the palaces of the past. There are pieces of
friezes, columns, and capitals lying out in the open; there are torsos
of statues the heads and feet of which have been broken off and carried
away; and also many exquisite carvings which would be treasures to any
museum. Here lies a piece of marble drapery, the remnants of the garment
of a goddess; there the broken-up limb of an athlete, and farther on a
beautiful bit from the front of the temple.
Among the ruins are the remains of stores, houses, and markets. I climbed
over marble blocks along the street which led to the ship canal, and
stood among broken columns in what was once the stock exchange and
wool market. In one place is an artificial terrace where stood the
great gymnasium, and in another is a marketplace two hundred feet long,
surrounded by a portico, back of which were the stalls of the marketmen.
In the mosaic floors of these stalls thirteen different kinds of marbles
were used, and marbles of various colours were employed throughout the
structure.
Public-domain text, read in full here on John Shaqi.
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