In his very babyhood the neighbors said he was no common child, and, of
course, Olaf and Viola thought so too, though they both said, as they
thought they ought to say, that he was like all the other babies in
the world. Viola, indeed, knew little about children. She had neither
brother or sister, and the mistress with whom she had spent most of her
life could not bear the sound of a child's voice. Eric was, therefore,
an object of great curiosity to his young mother; a little mystery whom
she was never tired of studying. She and Olaf had some pleasant strife
together as to the first language the child should speak; naturally
enough, he chose that which he heard most frequently, and spoke his
first lisping words in her musical tongue. His grandmother thought that
for a Swedish boy to speak Italian was nothing less than a miracle, and
prophesied that such a child would die before its time. There was her
old neighbor, Stenbock; her son died of knowing too much, and of having
his hair left to grow till it hung down all over his shoulders like a
yellow veil; she hoped Viola would not let Eric's hair grow in that
fashion, though, to be sure, its having once been dark might make all
the difference in the world.
But when Eric soon proved that he could talk Swedish almost as well as
herself, the good grandmother shook her head, and hoped, with secret
misgivings to the contrary, that this was not some wicked spirit come
in human shape to ruin them all. Viola concerned herself very little
with such fancies. Everything the child said or did amused her, but she
had too little experience to know how individual this little creature
was; how imitative and yet how original. As soon as he could speak
plainly, Eric began to go singing about the house, as his mother did.
He caught both words and air without effort, and when he sang, seemed
as unconscious as a bird on the wing. Then one day, as Viola sat at
work, using her needle with great rapidity, she was suddenly aroused
from her absorption in it by Eric's long silence; unusual quietness
in an active child usually means mischief brewing, as every mother
knows. Looking up, she saw Eric seated gravely opposite her, with a
bit of cloth fastened to his knee, and imitating her every motion with
precision. He had fastened his thread to a pin, and was making this pin
move in concert with her needle, only, of course, his movements were
only a pretence, while hers were real. She threw herself back in her
chair to laugh at her ease at this comic scene; whereupon Eric, with no
little humor twinkling in his eye, threw himself back likewise, and
laughed in unison with her.
"You little monkey, how dare you!" she cried, half vexed and half
amused; but Eric looked at her with such an open, innocent face, that
she saw he meant no harm, and if a monkey, was a harmless one after all.
Public-domain text, read in full here on John Shaqi.
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