by sharpers. A strap was folded double and wound round several times on
a table; the player then pricked it with a dagger or other pointed
instrument, and if, when the strap was unwound, it appeared that the
point had gone between the layers of the strap, he won; but he lost if
the strap could be entirely wound off. Another favourite game was
similar to _morra_, still popular in Italy. Two players quickly thrust
out their right hands with some fingers bent in and others stretched
out, and they have at one glance to notice and exclaim how many fingers
of both hands together are stretched out. This game is often represented
on ancient works of art; for instance, on the vase painting depicted in
Fig. 104. Here a youth and a girl are playing, both are seated, though
morra players of the present day stand; in their left hands they hold a
stick, the object of which is to prevent them in the excitement of the
game from using their left hands by mistake. Similarly the Italians put
their left hands behind their backs while playing. The youth is
stretching out four fingers, the girl two, so that the number to be
called out in this case is six. A Cupid seated above is handing a wreath
to the girl, and thus pointing her out as victorious.
[Illustration: FIG. 105.]
A popular amusement in Greece was cock and quail fighting, a pursuit
which played so important a part at Athens that even the great theatre
of Dionysus had to be used for the purpose, and the Athenians actually
maintained that this was a spectacle calculated to rouse the courage of
the citizens to brave deeds. Fighting cocks were trained at Tanagra and
Rhodes; both young and old men aimed at the possession of fighting cocks
or quails, carried them about for hours, and tried by all possible means
to excite their courage in order to obtain prizes. For this purpose they
were fed with garlic, and sometimes brazen spurs were even tied on them
in order to make the wounds they inflicted more serious. The
representations (compare the vase painting, Fig. 105) show
[Illustration: FIG. 106.]
that before the beginning of the fight each owner took his bird in his
hand, knelt down, and thus gradually approached the cocks to one another
in order to excite them from a distance; then they were sent against
each other, and the owners stood up again. Sometimes the hens were
present at the fight, because the cocks were more inclined to fight in
their presence. A curious custom is mentioned--namely, that the owner of
the defeated bird took it up as quickly as possible and shouted loud
into its ear; the object of this was supposed to be to prevent the
defeated cock from hearing the triumphant crow of his conqueror, and
thus being discouraged for future combats.
Public-domain text, read in full here on John Shaqi.
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