The custom of these funeral laments is a very ancient one. We find it universally adopted in the Homeric period, and here, too, in the form of responsions; the wail is heard at Troy by the corpse of Hector, as well as in the Greek camp by the bier of Achilles. We find the laying-out of the corpse and the funeral lament represented on a great many vase paintings, as, for instance, in the one depicted in Fig. 108. Here we see the dead man lying on a richly-decked couch, in front of which stands a footstool; he is enveloped in his mantle up to his neck, he wears a wreath, and his head rests on several cushions. In front of the couch and at the sides stand six women, all raising their arms with gestures of grief; some of them are touching their heads, as though to tear out their hair. A little girl in a similar attitude stands at the foot of the bed; on the right, turning away from the scene, stands a boy. Fig. 109 is similar. Here we see under the dead man’s couch his shield, helmet, and cuirass; of the wailing women, who are almost all tearing out their hair, one holds a lyre in her hand, and another a fillet; the former is accompanying the lament, the other is about to deck the corpse or the bier. The hot climate of the south generally necessitated limiting the duration of this ceremony to a single day, and, indeed, Solon expressly commanded that this should be done; only where special measures were taken for preserving the body was it possible to leave it for several days. Embalming was not customary in Greece; it was only when the corpses of those who had died in foreign lands were brought home to be buried, that they were placed in some substance to check the dissolution--for instance, in honey, as the Spartans did with those of their kings who died away from home.