his life and his virtues. This was usually decorated in an artistic manner. The commonest form was the “Stele,” which was sometimes a tall column, at others merely a horizontal gravestone, and represented the dead man in some occupation of daily life. A boy might be seen playing with his ball, and a girl with her doll; a young man holds his quoit; a strong warrior stands fully armed as though ready to depart; a countryman accompanied by his faithful dog, leans on his knotted stick; a young wife sits near her work-basket or gazes with pleasure at her ornaments, like the one represented on the relief in Fig. 113, where the lady seems to be taking a ring from a jewel case held for her by her attendants; others represent the dead person alone or with others, not engaged in any occupation, but in some simple natural attitude, like the two women on the stone represented in Fig. 114; others suggest death, since the relations are taking leave of a member of a family. On one it is the mother who is dying, and the smallest of the children is creeping up to her (compare Fig. 62), or they are holding out to her a child still wrapped in swaddling clothes for her last kiss (compare Fig. 58); the husband steps to his wife, who is resting in an easy chair, and gives her his hand for a last farewell, with an expression of sorrow mingled with self-control. On some tombstones of a longer shape the family meal is represented; the husband lies on the couch, the wife sits near him, the children are pressing around them, and even the faithful animals, the dog and favourite horse, are not forgotten. This subject is a very common one; sometimes it is a simple scene from daily life, sometimes the master is represented in a more heroic attitude as already dead, and his relations are paying the [Illustration: FIG. 114.] [Illustration: FIG. 115.] departed the fitting honour and adoration. There seems to be little attempt at representing real portraits on most Greek tombstones; they are ideal types, often of extraordinary beauty, now and then, perhaps, with some slight resemblance to the dead, but by no means realistic portrait statues. But whether it is a scene from real life that is represented by art, or the bitter last farewell, or whether it is any hint of the life in a future state, which last is by no means uncommon, these reliefs are always distinguished by their moderation in the expression of pain, and a peaceful feeling of calm and worthy expression of sorrow, which can but have an elevating effect even on those who have grown up in the views of Christianity. This is the case even where some simple stonemason has roughly expressed in stone the thought of parting and reunion; how much more, then, in those magnificent [Illustration: FIG. 116.] creations of the finest period of Attic art to which the examples represented above belong.