The torch-race (λαμπαδοδρομία) was more a matter of skill than of speed
or bodily strength. This was especially popular at Athens, and there
constituted an important part of certain festivals, especially the
Panathenaea, and the festivals of Hephaestus and Prometheus, but had
nothing to do with the gymnastic contests at the great national games.
The youths who took part in the torch-race, lighted their torches at an
altar in the Academy, and ran together from there, with burning torches
to some appointed place in the town. In this race the victor was not he
who ran fastest, but he who first arrived at the goal with a burning
torch. It was important, therefore, to run quickly, and at the same time
cautiously, so that the torch might not be put out. The expenses of the
arrangements, which, however, cannot have been very considerable,
belonged to the so-called Liturgies, the charges voluntarily undertaken
by certain wealthy citizens. They also had to superintend the
practising, or, at any rate, to see to its being done. If we may judge
from ancient representations of the torch-race, the runners sometimes,
besides the torch, bore a shield on their left arm, and also some
head-covering, and, since it was not really a question of great speed,
some light article of clothing.
In the third place, we must consider quoit-throwing. This exercise, in
which the object was to throw a heavy disc as far as possible, is also
mentioned in the Odyssey. The youth of Phaeacia played it, but Odysseus
excels them all, and sends the disc hurled by him beyond all the marks
of the other players. Quoits are also mentioned as an amusement of the
suitors, and among the funeral games in honour of Patroclus. Homer
mentions stone and iron quoits; in later times metal, chiefly iron or
bronze, was the commonest material. They were round and flat in shape,
somewhat raised on each side, with a diameter of about a foot, and were,
therefore, very heavy, and not easy to grasp on account of their
smoothness. The descriptions of ancient writers and monuments give us a
very clear idea of the manner in which these
[Illustration: FIG. 123.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account