Many exercises of a partly military character were also practised in the
gymnasia. Besides throwing the spear, which was regarded as an entirely
gymnastic exercise, and was practised at the public contests, there was
archery, which, in the Alexandrine age, as we previously mentioned, even
found a place in the curriculum of the Attic youths. This was also the
case with the Cretans, who were renowned as excellent archers at the
time of Plato, and probably even earlier. They used for the purpose a
bow constructed of horn or hard wood; bows were of two different shapes,
one which was common in the East, and was already described by Homer, in
which two horn-shaped ends were connected by a straight middle piece;
the other was a simpler shape, in which the whole bow consisted of one
piece of elastic wood, scarcely curved at all when the bow was not bent,
and which, when bent, acquired a semi-circular shape. As a rule, when
the bow was not in use the string was only fastened at one end. Before
shooting, it was attached to the hook at the other end by means of a
little ring or eye. A good deal of strength was needed to bend the bow
far enough to attach the string. In shooting, they drew back the
feathered arrow, on which a notch fitted, along with the string towards
the breast, holding the bow firmly in the left hand. The vase painting
depicted in Fig. 135 represents archery practice. The target here is the
wooden figure of a cock set upon a column; of the three youths who are
practising one shoots standing, the second kneeling, the common position
for an archer, and the third is just about to draw his bow pressing his
knee against it. All three use the second kind of bow. It is, of course,
only an artistic licence that the archers are placed so near their goal;
similarly the arrows are still flying while the two archers are about to
shoot fresh ones.
[Illustration: FIG. 135.]
Public-domain text, read in full here on John Shaqi.
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