The Olympic Festival--The Gymnastic and Equestrian Contests--The
Hippodrome--The Judges--The Preliminary Ceremonies--The Course of
the Festival--Honours to the Victors--The Delphic Festival and
Pythian Games--The Isthmian and Nemean Games--The Athenian
Festivals--The Festivals of Dionysus.
In ancient and in modern times alike it has been usual to connect public
festivals with some religious observance, even though the actual
occasion might be the celebration of the change of the seasons or some
regular event connected with agriculture. Greek worship was naturally of
a cheerful nature. The sacrifices were usually followed by banquets,
which communicated a festive character to an act of worship, and this
was often accompanied by singing and dancing, sometimes of a serious and
solemn nature, at other times lively and cheerful. As a rule, sacrifices
to the heavenly deities were offered early in the day, but the banquet
did not take place till the afternoon, and thus opportunity was afforded
for devoting the interval to entertainments, among which, along with
song and dance, dramatic and gymnastic performances soon began to occupy
a place, and gradually to assume the character of regular competitions.
Sacrifices to the infernal deities took place in the afternoon or
evening, and were, in consequence, followed by a festival at night,
which often degenerated into a wild orgy. These festivities, which were
partly connected with the worship and partly celebrated for their own
sake or connected with ancient national games, were at first a natural
consequence of the religious ceremonies and the manner in which a nation
of the cheerful disposition of the Greeks would celebrate them. But as
these performances and festivities came to be more closely connected
with the religious festivals, they gradually became an integral part of
them, and were no longer left to the arbitrary disposition of the
persons concerned, but were taken in hand by the state or community, and
subject to regular arrangement.
Public-domain text, read in full here on John Shaqi.
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