The seats, according to the nature of the locality, were either hewn
direct out of the rocky ground or based on artificial foundations. At
Athens the spectators originally sat on the bare ground of the Acropolis
slope or on wooden benches placed there; in the fourth century stone
steps were made there. At Syracuse, Sicyon, and other places, nearly the
whole auditorium and the steps were hewn out of the rock; the ends or
wings of the auditorium, which jutted out where the seats ended, close
by the stage, had to be of specially massive construction. Sometimes,
though more often in the Roman than the Greek theatres, the auditorium
touched the side wings of the stage; but this was not a particularly
convenient method, since a considerable number of the places along this
stone wall had no view of the stage or, at any rate, only a very
unsatisfactory one. Entrance was procured for the public by the great
gates which led on the right and left between the auditorium and the
stage, and which, when the spectators were assembled, also formed the
entrances for the chorus (πάροδοι). When a theatre was situated on
elevated ground, there were also other approaches leading to the
gangways of the upper storeys; probably these were only used for
emptying the theatre, and not for admission, since on entering the
spectators had to pay for their admission, or else present their
tickets, and therefore the number of entrances was probably limited with
a view to simplifying the control. In those theatres where the seats
extended as far as the stage, the approaches which were below the seats
had to be covered over (compare the view of the theatre at Syracuse),
but, as a rule, we must suppose that they were uncovered. The seats were
arranged in such a manner that the steps, which rose from the orchestra
to the top of the theatre, were also used as seats; people sat on the
actual stone, unless, as sometimes happened, they brought cushions with
them, or had these carried by slaves. There were a number of places in
the lower rows distinguished from the others by seats of honour, made
also of stone, usually of costly marble; some of these seats, dating,
however, from the Roman period, have been found in the theatre of
Dionysus. The usual height of the steps was from about 16 to 19 inches,
and the depth from 24 to 28. There was no division of seats, and though
probably care was taken that too many persons should not be crowded
together, yet there were no lines drawn to mark out the appointed
places. There was a very convenient and at the same time simple
arrangement for preventing the feet of those who sat on a higher row
from inconveniencing those in front. The depth of the seat was often
sufficient to prevent contact, but, besides that, it was the custom to
hollow out that part of the step where the spectators would put their
feet. Some of the steps, in fact, have three distinct surfaces: the
nearest of these to the row above was hollowed out for the feet; then
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