We must now examine more closely the special implements used in musical
instruction, and the mode in which that instruction was given.
Elementary knowledge of reading and writing was very common, at any rate
in Attica, and people who were unacquainted with either were even rarer
in ancient Greece than in our own day. In the school of the teacher who
had charge of the boys’ elementary grammatical instruction
(γραμματιστής), the boy was probably first taught his letters, their
names and shapes, and very likely some external helps were used for this
purpose; at any rate, these were common in later periods. The next
process was combining the letters in syllables; and thus gradually they
advanced to reading whole words. At the same time, probably, instruction
in writing began. The master made single letters and words for the
pupils to copy in the space left free under his lines, and probably
helped them a little by guiding their hands. The place of our slate was
taken by a wax tablet. This was a wooden tablet covered with a thin
coating of wax, in which the letters were scratched with a pointed
style, made of bone, ivory, or metal; the broad end was used for
flattening the wax when the slate was full, and then it could be used
again. There were generally two, three, or more of these tablets
connected by hinges, and these were called _diptych_, _triptych_, etc.
It was only more advanced pupils who were allowed to use such expensive
material as papyrus and reeds for writing, and even then, on account of
the expense, they were not provided with new paper, but wrote on the
back of what had already been used. Chance has preserved to us, in a
discovery dating from the age of the Ptolemies, some very interesting
specimens of Greek instruction in writing--several wax tablets, six
inches long and four inches broad, all containing the same Greek
trimeter verses, probably by Menander. The writing on one of these
tablets, which was probably the master’s copy, is good and careful; that
on the others, the pupils’ copies, is inferior. Under one the word
“industrious” has been written by the master’s hand. But slight demands
seem to have been made on the pupils in the matter of writing, and more
stress was laid on clearness than beauty or speed, since there were
always experienced slaves ready to do work of this kind.
Public-domain text, read in full here on John Shaqi.
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