London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
The day passed with dream-like swiftness for the two girls. They
snatched at its fleeting pleasures according to their temperaments. To
Alexandra it was a delightful break in a life which she was beginning to
loathe, one for which she could not be too grateful. Its very
evanescence caused her to enjoy it with temperate zest. Maggy’s
livelier feelings made her grasp at all it brought forth with both
hands. To her it was a glimpse into fairyland, or at least a world in
which she classed herself a complete outsider.
Chalfont had not forgotten her desire for a Christmas tree and the
presence of children to enjoy it. All the youngsters on the estate had
been bidden to the treat. There were small boys, rosy of cheek, in
their best; small girls, eager-eyed, in the whitest of pinafores.
Maggy, at Mrs. Pardiston’s request, presided over the feast arranged for
them. She it was who afterwards distributed the gifts from the loaded
Christmas tree. Within five minutes the children were under her spell;
in ten she seemed to know all their names and a great deal about each of
them. When at last the tree was stripped of all but its candles she
started games and joined in them. She romped. She was a child among
children.
When they had all gone, Chalfont suggested that before dressing for
dinner the two girls should inspect the picture-gallery, which they had
not yet seen, and as soon as it was lighted up he led the way there.
Maggy’s interest at once centered in the many portraits that lined the
walls. The landscapes and genre pictures that interspersed them she
passed by. Individualities only concerned her, and to these, in the
canvasses of dead and gone Chalfonts she gave a rapt attention, stopping
at each that appealed to her and asking for its history. One portrait
in particular, that of a very beautiful girl, she looked at for a long
time.
"Who was she?" she inquired.
"My grandmother," replied Chalfont. "It was painted just after her
marriage. She was only nineteen when she died, a year later."
"Oh, what a pity! Why?"
Chalfont passed to the next portrait.
"Her son," he said. "My father."
Maggy understood. She glanced back sadly at the youthful face of the
mother.
Chalfonts in armor, in uniform, in silk and velvet and in lace,
confronted her everywhere. She flitted from one to the other, admiring,
impressed.
"How proud of them all you must be," she said finally. "Fancy
having—ancestors!"
As she spoke she paused before the portrait of a woman, perceiving in it
something different from the rest. The face was handsome, yet lacked a
high-bred look.
"Another ancestress," said Chalfont. "An actress, a contemporary of
Mrs. Siddons."
"How did she come here?" wondered Maggy, almost jealous for the honor of
his house.
"She married the fourth Viscount."
"Married him!" She stared at the painted lady. "It was a mistake," she
said, as though to herself, and in so odd a tone that the others
laughed.
Public-domain text, read in full here on John Shaqi.
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