London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
The cistern, that prominent feature of Alexandra’s bedroom, was for once
in a way overshadowed. So to speak, it was put out of countenance. If
a cistern—squat, square, and forbidding as this one was—could have
expressed itself it would have done so in the form of a gasp.
For, on the bed lay the sable coat, muff and toque and half-a-dozen
unworn French frocks. Such richness could never have been seen in Sidey
Street before. Alexandra’s emotions as she stood and stared at them
were indescribable.
They had come—several huge cardboard boxes—that afternoon—with a letter
from a firm of solicitors stating that the furs and the dresses were a
legacy from Mrs. Lambert. The reason why they had not been delivered
before was that the executors of the will were ignorant of Miss Hersey’s
whereabouts. Lord Chalfont had, however, now returned to London and had
given them her address.
And there they lay, beautiful and costly, in startling contrast with the
cistern and the other unlovely appurtenances of the room. Alexandra
supposed the furs must be worth quite a hundred pounds. The irony of
the situation was not lost upon her. Here she was in a fireless room,
dreadfully hungry, and there on the bed lay valuables which nothing
would induce her to sell because they were a gift from the dear dead.
A day or two ago she had found herself regretting the destruction of
that sugary eulogy of the stage. She had reconstructed it, but so
unsuccessfully that in the end she decided against posting it. The
editor in all probability would have forgotten her existence.
It was now late November and a particularly cheerless specimen of the
month. She was glad to leave her fireless room each morning for the
warmth of the agents’ offices, always hoping against hope that something
would turn up. Pride made her hide her straitened circumstances from
Maggy. She still refused to borrow from her friend. Maggy’s counsel
was always the same: "Climb down, Lexie. Go back to De Freyne. He’ll
very likely take you on again."
She put out a cold hand and touched the furs. They were so rich, so
soft; they signified the very quintessence of warmth. All she had had
for her lunch that day was cold rice pudding—rice pudding made with
three parts of water to one of milk. She felt as if she would never
thaw again. It was sheer desire for warmth that made her suddenly
discard her thin black serge for one of the new acquisitions, a dark
brown velvet dress.
Public-domain text, read in full here on John Shaqi.
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