Fathers and sons -- Fiction; Political fiction; West (U.S.) -- Fiction
Blount felt as if he could, joyously and entirely without scruple, have
brained young Gordon, to whom the next dance belonged, and who came just
at this climaxing moment to claim Patricia. But there was no help for
it, short of a cold-blooded and rather embarrassing deed of violence,
and the hard-won confidence ended pretty much where it had begun.
When he left the Gordon house, which was far out in the northeastern
residence suburb, Blount meant to go directly to the hotel and to bed.
He had been losing much sleep in the activities of the campaign, and the
loss was beginning to tell upon him. But as the trolley-car was passing
the Temple Court Building he made sure that he saw a dim light
illuminating the windows of his upper-floor office. With all his
suspicions of the morning reawakened, he dropped from the car, dashed
into the building, and took the all-night elevator for his office floor.
The sleepy elevator-man had to be shaken awake, and when he had set the
car in motion he let it run past the designated floor. Blount swore
impatiently, and instead of waiting to be carried back, darted out and
ran to the stairway. When he reached the lower corridor and was hurrying
toward his suite in the corner of the building, there was a dull crash,
as of a muffled explosion, and two or three of the glass doors in the
street-fronting suite were shattered. Blount quickened his pace to a
run, let himself in by means of his latch-key, and, cautiously opening
his desk, groped in an inner drawer for the revolver which Gantry had
persuaded him to buy as a part of the office furnishings.
With the weapon in hand, he pushed through the unlatched door into
Collins's room. There was an acrid odor of dynamite fumes in the air,
and when he pressed on to the third room of the suite the gases were
stifling. His first act was to feel for the switch and cut in the
electric lights. The third room, which had doors of communication with
his own office and Collins's, was a wreck. Desks were broken open, and
the safe-door had been blown from its hinges.
Blount saw the figure of a small man with his cap pulled down over his
ears bending over the wrecked cash-box. At the upblazing of the ceiling
lights, the man sprang to his feet and fled, going out through the door
by which Blount had just entered, and snapping the light-switch as he
passed to leave the rooms in darkness.
Public-domain text, read in full here on John Shaqi.
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