American literature -- Indiana; Indiana; Indiana -- Social life and customs
so consistently communicated to the novel, would be lost in any play
founded upon its incidents. He declined all offers until, in 1899, a
plan was submitted which met his approval, and in the fall of that
year the play was given its first presentation at New York.
When President Garfield appointed General Wallace minister to Turkey,
he wrote across his commission “Ben Hur.” General Wallace called at the
White House, just before leaving for his post, to pay his respects to
the President, and Garfield said to him: “I expect another book from
you. Your official duties will not be so onerous that you cannot write
it. Make the scene Constantinople.” The opportunity thus presented for
further literary work was a consideration in accepting the post. The
Turkish occupation of Constantinople is an incident of great historical
importance, and in his search for material for a new romance, General
Wallace determined to write a tale that should present a picture of
the fierce struggle between Christian and Moslem. His studies at
Constantinople led to the writing of “The Prince of India.” The Prince
is “The Wandering Jew.” He appears as a man of mysterious gifts, who
wields great wealth and power. He has discovered what he believes to
be common ground upon which all the spiritually minded may meet,
irrespective of religion. He appears before the Emperor Constantine and
presents his plan for a universal religious union, but he horrifies
the theologians, and finding the Christians unsympathetic, he turns
to Mohammed, and bestows upon him the sword of Solomon, the sign of
conquest, which he had found in the tomb of Hiram, King of Tyre. The
tale has neither the interest of “Ben Hur” nor the novelty and military
ardor of “The Fair God.” The subject required deliberate treatment,
and the hero, who is a scholar and a mystic, naturally deals in words
oftener than in actions.
General Wallace’s other writings are “The Boyhood of Christ” (1889),
and “The Wooing of Malkatoon: a Turkish Tale, with Commodus, a Play”
(1898), both in blank verse.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account