Another vivacious Hopi is Wupa, whose name means "great." The fatherly
interest which Wupa takes in the white man was sufficient
recommendation to attach him to our camp as man-of-all-work, and a
closer acquaintance brought to view other sides of his character in
which the gay features far outnumber the grave. Faithful to the extent
of his lights, though averse to steady work, he managed to earn his
bread and a small stipend, but considering the entertainment he
furnished, his pay should have been equal to that of the end-man in a
minstrel show.
So it happens that the memories of Wupa bring forth a flood of
pleasing recollections. The merriest of all that merry race of
laughing, joking, singing Hopi, his presence around the camp-fire
diffused an atmosphere of cheerfulness which does not always prevail
amidst the discomforts of roughing-it in the desert. Short of stature
and bandy-legged, possessed of a headpiece wrinkled and quizzical, one
cannot by any stretch of the imagination make him out handsome; but he
is so loquacious, witty, and full of tricks that it is not possible to
doubt his fitness for the position of king's jester. Wupa has his
moods, though. Sometimes an air of preternatural gravity and
unspeakable wisdom enwraps him; very close behind this mask, for such
it is, lurks a mirth-provoking skit and boisterous laugh. Like other
humorists Wupa has the fatality of being most amusing when serious.
Still, in the iridescent interworld between smiles and tears Wupa has
a romantic and sad history.
The _dramatis personae_ woven into this history are white men,
Mexicans, Zuñi Indians, and his fellow Hopi. The first misfortune that
befell Wupa was to be born at the time when famine harried the
Peaceful People in their seven villages to the north of the Little
Colorado. Famine is an old story with the Hopi. For two years no rain
had fallen, and neither the Snake nor the Flute dance availed to bring
the good will of their gods. The sacredly reserved corn laid up to
tide over a bad year had been eaten, and the Hopi were in distress.
They gathered the wild plants that seem to be independent of drought,
and tried to keep soul and body together till the rain-clouds should
again sweep across the Painted Desert; but many were those who never
saw the time of ripe corn. Many deserted the pueblos and cast their
lot among the Navaho shepherds, the Havasupai of Cataract Canyon, and
other more fortunate tribes of friendly people.
Public-domain text, read in full here on John Shaqi.
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