The Horse and His Rider: Or, Sketches and Anecdotes of the Noble Quadruped, and of Equestrian NationsSpringfield, Rollo
History
The Horse and His Rider: Or, Sketches and Anecdotes of the Noble Quadruped, and of Equestrian Nations
Springfield, Rollo
Horsemen and horsewomen; Horses; Horses -- Anecdotes
“The parties were on horseback, holding in their right hands long wooden
spears, the lower ends resting on the sand, close together, and forming
a pivot around which their movements were made. They rode round in a
circle, with their spears in the sand, and their eyes keenly fixed on
each other, watching an opportunity to strike; chased, turned, and
doubled, but never leaving the pivot; occasionally the spears were
raised, crossed, and struck together, and a murmuring ran through the
crowd like the cry in the fencing-scene in Hamlet, ‘a hit, a fair hit’
and the parties separated, or again dropped their poles in the centre
for another round. The play for some time seemed confined to slaves and
dependents; and among them, and decidedly the most skilful, was a young
Nubian. His master, a Turk, who was sitting on the mat, seemed
particularly pleased with his success.
“The whole of this seemed merely a preliminary, designed to stir up the
dormant spirit of the masters. For a long time they sat quietly puffing
their pipes, and probably longing for the stimulus of a battle-cry to
rouse them from their torpor. At length one of them, the master of the
Nubian, slowly rose from the mat, and challenged an antagonist. Slowly
he laid down his pipe, and took and raised the pole in his hand; but
still he was not more than half roused. A fresh horse was brought him,
and, without taking off his heavy cloth mantle, he drowsily placed his
left foot in the broad shovel stirrup, his right on the rump of the
horse, behind the saddle, and swung himself into the seat. The first
touch of the saddle seemed to rouse him; he took the pole from the hand
of his attendant, gave his horse a severe check, and, driving the heavy
corners of the stirrups into his sides, dashed through the sand on a
full run. At the other end of the course he stopped, rested a moment or
two, then again driving his irons into his horse, dashed back at full
speed; and when it seemed as if his next step would carry him headlong
among the Turks on the mat, with one jerk he threw his horse back on his
haunches, and brought him up from a full run to a dead stop. This seemed
to warm him a little; his attendant came up and took of his cloak, under
which he had a red silk jacket and white trowsers, and again he dashed
through the sand, and back as before. This time he brought up his horse
with furious vehemence; his turban became unrolled, he flew into a
violent passion, tore it off and threw it on the sand, and, leaving his
play, fiercely struck the spear of his adversary, and the battle at once
commenced. The Turk, who had seemed too indolent to move, now showed a
fire, and energy, and an endurance of fatigue, that would have been
terrible in battle. Both horse and rider scorned the blazing sun and
burning sands, and round and round they ran, chasing, turning, and
doubling within an incredibly small circle, till an approving murmur was
heard among the crowd. The trial was now over, and the excited Turk
Public-domain text, read in full here on John Shaqi.
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