In at least one work of fiction the Chevalier Bayard has been rather
amusingly confounded with the mythological steed of the four sons
of Aymon that bore the name Bayard and that used so conveniently to
grow larger when more than one of the four sons wanted to mount it at
the same time. The name is said to signify the colour of bright bay,
and the legend still obtains that a hoof mark of this mythical horse
remains to this day in the forest of Soignes, while another of its
hoof marks may be seen on a rock near Dinant. It was of this horse
that Sir Walter Scott wrote in _The Lady of the Lake_ the following
lines:—
“Stand, Bayard, stand! The steed obeyed
With arching neck, and bended head,
And glaring eye and quivering ear,
As if he loved his lord to hear.”
The Earl of Warwick's coal-black charger, Black Saladin, is eulogised
in almost every history of the Wars of the Roses; yet, when all is
said, Black Saladin does not appear to have done anything sufficiently
remarkable to have justified his earning the immortal reputation that
he undoubtedly has obtained. A big, powerful animal, it must in
justice be said of him that he carried his master creditably through
several rather bloody encounters before man and horse were killed in
the great conflict at Barnet.
According to Hume's “History of England”—and probably no history
extant is more accurate in detail—Warwick, when he received the fatal
thrust, was fighting on foot.
No trustworthy description is obtainable of the horse that Joan of
Arc rode when she led the French army so successfully against the
previously victorious troops of Henry VI. Only one indisputable
statement relating to her leadership upon that famous occasion has
been handed down to us, and that is that she rode astride.
Pictures innumerable have been painted that depict her as she is
supposed to have appeared in the heat of the fray, and others that
show her to us as she ought to have looked when the engagement was
over. By basing our impressions solely upon such pictures we might
well conclude that the Pucelle went into action riding a white horse;
that in the thick of the fight she changed first on to a dun-coloured
mare and then on to a bright bay mare; and that when the engagement
was over she once more changed horses in order to ride back triumphant
on a stallion as black as Black Saladin himself!
Public-domain text, read in full here on John Shaqi.
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