The Horse-Stealers and Other StoriesChekhov, Anton Pavlovich
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The Horse-Stealers and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
He didn't see the expression of the shopman's face, but to smooth
over the awkwardness of the position a little he felt called upon
to make some purchase. But what should he buy? He looked round the
walls of the shop to pick out something inexpensive, and his eyes
rested on a green net hanging near the door.
"That's . . . what's that?" he asked.
"That's a net for catching quails."
"And what price is it?"
"Eight roubles, M'sieu."
"Wrap it up for me. . . ."
The outraged husband paid his eight roubles, took the net, and,
feeling even more outraged, walked out of the shop.
THE JEUNE PREMIER
YEVGENY ALEXEYITCH PODZHAROV, the _jeune premier_, a graceful,
elegant young man with an oval face and little bags under his eyes,
had come for the season to one of the southern towns of Russia, and
tried at once to make the acquaintance of a few of the leading
families of the place. "Yes, signor," he would often say, gracefully
swinging his foot and displaying his red socks, "an artist ought
to act upon the masses, both directly and indirectly; the first aim
is attained by his work on the stage, the second by an acquaintance
with the local inhabitants. On my honour, _parole d'honneur_, I
don't understand why it is we actors avoid making acquaintance with
local families. Why is it? To say nothing of dinners, name-day
parties, feasts, _soirées fixes_, to say nothing of these entertainments,
think of the moral influence we may have on society! Is it not
agreeable to feel one has dropped a spark in some thick skull? The
types one meets! The women! _Mon Dieu_, what women! they turn one's
head! One penetrates into some huge merchant's house, into the
sacred retreats, and picks out some fresh and rosy little
peach--it's heaven, _parole d'honneur!_"
In the southern town, among other estimable families he made the
acquaintance of that of a manufacturer called Zybaev. Whenever he
remembers that acquaintance now he frowns contemptuously, screws
up his eyes, and nervously plays with his watch-chain.
One day--it was at a name-day party at Zybaev's--the actor was
sitting in his new friends' drawing-room and holding forth as usual.
Around him "types" were sitting in armchairs and on the sofa,
listening affably; from the next room came feminine laughter and
the sounds of evening tea. . . . Crossing his legs, after each
phrase sipping tea with rum in it, and trying to assume an expression
of careless boredom, he talked of his stage triumphs.
Public-domain text, read in full here on John Shaqi.
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