The Horse-Stealers and Other StoriesChekhov, Anton Pavlovich
General
The Horse-Stealers and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
SHTCHIPTSOV, the "heavy father" and "good-hearted simpleton," a
tall and thick-set old man, not so much distinguished by his talents
as an actor as by his exceptional physical strength, had a desperate
quarrel with the manager during the performance, and just when the
storm of words was at its height felt as though something had snapped
in his chest. Zhukov, the manager, as a rule began at the end of
every heated discussion to laugh hysterically and to fall into a
swoon; on this occasion, however, Shtchiptsov did not remain for
this climax, but hurried home. The high words and the sensation of
something ruptured in his chest so agitated him as he left the
theatre that he forgot to wash off his paint, and did nothing but
take off his beard.
When he reached his hotel room, Shtchiptsov spent a long time pacing
up and down, then sat down on the bed, propped his head on his
fists, and sank into thought. He sat like that without stirring or
uttering a sound till two o'clock the next afternoon, when Sigaev,
the comic man, walked into his room.
"Why is it you did not come to the rehearsal, Booby Ivanitch?" the
comic man began, panting and filling the room with fumes of vodka.
"Where have you been?"
Shtchiptsov made no answer, but simply stared at the comic man with
lustreless eyes, under which there were smudges of paint.
"You might at least have washed your phiz!" Sigaev went on. "You
are a disgraceful sight! Have you been boozing, or . . . are you
ill, or what? But why don't you speak? I am asking you: are you
ill?"
Shtchiptsov did not speak. In spite of the paint on his face, the
comic man could not help noticing his striking pallor, the drops
of sweat on his forehead, and the twitching of his lips. His hands
and feet were trembling too, and the whole huge figure of the
"good-natured simpleton" looked somehow crushed and flattened. The
comic man took a rapid glance round the room, but saw neither bottle
nor flask nor any other suspicious vessel.
"I say, Mishutka, you know you are ill!" he said in a flutter.
"Strike me dead, you are ill! You don't look yourself!"
Shtchiptsov remained silent and stared disconsolately at the floor.
"You must have caught cold," said Sigaev, taking him by the hand.
"Oh, dear, how hot your hands are! What's the trouble?"
"I wa-ant to go home," muttered Shtchiptsov.
"But you are at home now, aren't you?"
"No. . . . To Vyazma. . . ."
"Oh, my, anywhere else! It would take you three years to get to
your Vyazma. . . . What? do you want to go and see your daddy and
mummy? I'll be bound, they've kicked the bucket years ago, and you
won't find their graves. . . ."
"My ho-ome's there."
"Come, it's no good giving way to the dismal dumps. These neurotic
feelings are the limit, old man. You must get well, for you have
to play Mitka in 'The Terrible Tsar' to-morrow. There is nobody
else to do it. Drink something hot and take some castor-oil? Have
you got the money for some castor-oil? Or, stay, I'll run and buy
some."
Public-domain text, read in full here on John Shaqi.
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