The Horses of the Sahara and the Manners of the DesertDaumas, E. (Eugène)
History
The Horses of the Sahara and the Manners of the Desert
Daumas, E. (Eugène)
Arabian horse; Sahara
Having taken this oath, they arrange to start on the following morning.
At the appointed hour a man of high birth, noble among the noblest,
mounts on horseback, orders his women, borne on camels, to follow him,
and gives the signal. There is a general movement, and all set out. The
eye is dazzled by the strange and picturesque confusion, the many-hued
crowd of horses, warriors, and camels bearing rich palanquins in which
the women are inclosed. Here are the foot-soldiers, who march by
themselves—there the horsemen, who superintend the female procession.
Others, again, more impetuous and thoughtless, dash on in front or
spread out on the flanks, but rather as hunters than as scouts, and with
their greyhounds run down the gazelle, the hare, the antelope, and the
ostrich. The chiefs, however, are more serious. Upon their shoulders
rests the whole responsibility. To them will accrue the largest share of
the plunder, if the expedition succeed; and upon them, also, in the
event of failure, will fall imprecations, ruin, and shame. They,
therefore, consult together and form their plans. Lastly, come the
camels that carry the supplies. Thus the host advances, adapting itself
to the irregularities of the ground, all in wild confusion, every one
noisy and joyous, thinking much of the adventure, nothing of the
fatigue, dreaming of glory, not of danger. The warriors relate their
former exploits, while the players on the flute accompany them,
inspiriting or interrupting them, and the women utter joyful cries. And
above all this uproar are heard the loud reports of fire-arms. The
firing ceases, and a young and handsome horseman strikes up one of those
love-songs, through which the ardour of their passion scatters strange
images and striking colours, and which, in the desert, have always a
fresh charm for these chivalrous nations.
My heart burns with fire
For a woman come forth from paradise;
O ye who know not Meryem [Mary],
That miracle of the one Allah,
I will show you her portrait.
Meryem, she is Osman Bey himself
When he appears with his standards,
And the roll of his drums,
And his _goums_ following behind.
Meryem, she is a blood mare
That lives in luxury
In a gilded palace;
And loves the leafy shade,
And drinks limpid water,
And will have negro slaves to wait upon her.
Meryem, she is the moon of stars
That betrays robbers;
Or, rather she is the palm-tree
Of the country of the Beni-Mezab,[78]
The fruit of which grows so high
That no one can gather it.
Public-domain text, read in full here on John Shaqi.
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