The Horses of the Sahara and the Manners of the DesertDaumas, E. (Eugène)
History
The Horses of the Sahara and the Manners of the Desert
Daumas, E. (Eugène)
Arabian horse; Sahara
In the Sahara, they put the shoes on cold. In the foot of the horse, say
the Arabs, there are hollow interstices, such as the frog, the heel,
etc., which it is always dangerous to heat, if only by the approach of
the hot iron. This aversion for the hot iron, founded on the destructive
action of heat on the delicate parts of the foot, is so strong among
them that in bivouacs, when they see us shoeing our horses, they
exclaim: "Look at those Christians pouring oil upon fire!" In a word,
they cannot understand why—especially in long marches, when the exercise
draws the blood down to the foot of the horse—any one should wish to
increase this natural heat by the action of heated iron.
The shoes are very light, of a soft, pliant metal. In the fore-shoes
only three nails are driven in on each side. The toes are free, and
never fastened. According to the Arabs, nails in the toe would interfere
with the elasticity of the foot, and would cause the horse at the moment
he sets his foot on the ground precisely the same sensation that a man
experiences from wearing a tight shoe. Many accidents thence ensue.
The feet are neither pared nor shortened. The hoof is allowed to grow
freely, the very stony ground and incessant work sufficing to wear it
off naturally as it tries to get beyond the iron. The necessity of
paring the feet is only felt when horses have been for a long time
fastened in front of the tent without doing any work, or have remained
long in the Tell. In such a case the Arabs simply make use of the
sharp-pointed knives which they are never without. This method has this
further advantage that if a horse casts a shoe, he can still proceed on
his journey, as the sole remains firm and hard. "With you," say they,
"and with your practise of paring the foot, if the horse casts a shoe
you must pull up, or see him bleeding, halting and suffering."
Public-domain text, read in full here on John Shaqi.
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