"Leave that to me. I know what girls like. I have them still. Ay! a
dress that her grandmother wore--good as new, being for a tall
woman--and jewels. 'Tis no harm, at least, see you; since if they like
it not, the gift is returned."
He stood doubtful, half pleased, half shocked at the suggestion. She
could certainly send the things back, and he had many a time seen
English women wearing native jewelry; ay! and decorating their rooms
with native dresses. And he could write that they were from her cousin
and servant.
That would be easier than telling.
CHAPTER IX
OUT OF THE PAST
"I feel as if I had this moment arrived," said Muriel Smith, as she
looked down into the garden from a balcony which jutted out upon one
side of the wide flight of marble steps that led upwards to the loggia
of the palace. "Yet I know I've been here for hours. I wonder when the
sheer beauty will cease to--to take my breath away. _You_ understand,
don't you?"
"Yes!" assented Vincent Dering, half grudgingly. He would rather not
have understood more than others. But he did; that was the worst of it.
He was looking his best in the old cavalry uniform of grey, and silver,
and cherry colour, all laced, embroidered, and glittering with
epaulettes, sabretasche, and high stock,--the uniform of a hundred
years ago, when adventurers ruled half India, and Englishmen were
demi-gods. It seemed to have brought something of their pride and
recklessness, something of the dreams they dreamt into his whole
bearing, as he stood leaning over the balustrade gazing fixedly at the
scene before him. It was beautiful indeed! Beautiful with that
unearthly stillness which only comes to illuminations in a windless
Indian night. The lines on lines, the curves on curves of tiny lights
which outlined each pillar and arch, each buttress and recess of the
palace, the battlemented wall of the garden, and the turreted town
rising above it, were steady as the stars. The fine fret of the acacia
trees, showing white against the purple of the sky, was still as if
carved in stone. There was no flicker in the soft radiance, which made
the solid marble seem translucent, illumined mysteriously from within.
The very shadows slept. Such scented shadows, clinging to the burnished
orange trees, hidden in the wilderness of roses, dreaming on the
perfumed cushions of the quaint balconies and cupolas which overhung
the river.
But _it_ did not sleep. _It_ moved, sliding on and on ceaselessly.
So did the water which dimpled and tinkled--after Heaven only knew
how many sad years of silence and decorum--over the fretted marble
water-slides.
Public-domain text, read in full here on John Shaqi.
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