"Only I can't dance, you see," she continued, bending to look at the
billows about her feet. "Besides,"--she looked up suddenly, her whole
expression changed, she flung her fettered hands forward almost into
his face. The strings on strings of scented flowers looping themselves
in ever widening curves, hung like a screen between him and her
laughter.
"I'm a prisoner--yours, I suppose." He fell back for half a second,
then caught the hand in his.
And then, in an instant, it came back to him--the measureless glad
content of that mistake in the dark! He had told himself ever since
that it had come, then, by mistake--incomprehensible, it is true,
horrible to a certain extent, but still in error. But this was no
mistake!
"Yes!--my prisoner," he said. "Come, and sit down, and let us talk." He
wanted time to think.
She shook her head. "Not here, please! No one is to see me but you,
only you. That is why I waited till I saw you were alone. I only put it
on for you to see."
A sudden remembrance of something she had said to him--"When it is
real, and you give yourself--everything, and ask nothing." The
certainty that she was doing this now made him say quickly:--
"Don't be afraid--they shall not see. Come, let us go into the
garden--those balconies by the river--"
She shook her head again.
"They are not safe, and my guardian would be so angry. Though it isn't
really wrong"--she added, with her odd vein of piety; "but when
somebody sent me the dress, I thought it would be fun, and I wanted you
to see."
"Sent you the dress?" he echoed hotly. "Who?"
She looked at him vastly amused. "Are you jealous? But I'm not going to
tell you. That is just like the novels, isn't it; but what is the use
of making people angry?"
"How do you know I should be angry," he asked coldly.
She smiled like a Sphinx might smile. "I'm certain. Come! Perhaps I'll
tell you when we get to a safe place. There's one close by. My guardian
wouldn't have it lit up because--he always has the same reason for
everything, you know, and it _is_ so dull--because something happened
there long ago. As if it mattered!"
As she spoke, they had been passing down the marble steps, her silver
anklets chiming; and now, as they paused an instant on the edge of the
water-maze, they chimed still. But to a new, curiously provocative
measure, and her face, her figure, her very voice, changed as if to
keep time with it.
"I used to run all over it, in and out, when I was little," she
chattered mischievously, "and old Akbar used to run after me and
tumble in! I could do it now, and you could chase me, if I hadn't all
this-" she gave a little mutinous kick at her sweeping skirt. Then
suddenly she laughed. "Poor old Akbar! I'd like him to see me, but I
don't see how it could be managed. And nobody else must--but you. So
come--come quick!"
Public-domain text, read in full here on John Shaqi.
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