But clowns, rope dancer and even the Marinetti brothers were eclipsed
in my imagination as by enchantment, when into the ring there dashed
a little horsewoman standing erect upon a black horse whose saddle
was large and flat like a table. I had been looking down during the
interval, that is why I noticed the horse, for otherwise I should
surely have seen only the rider. She wore a robe of gold. If the lamps
had emitted less smoke and more light it is probable that that frayed
dress would not have given me such a vision of luxury. The girl’s arms
were bare and her hair unbound. Alone among all those tawny performers
she was fair like the heroines of all my ballads. Merely by her leap
into the ring she gave me what no woman had ever given me before, not
even she whom I had met with grandfather and whom I had called the lady
of the pavilion before I named her Helen;--not the sense of beauty--to
that I had already attained; but the fear of approaching her and not
keeping her. Yet I search my memory in vain for her features--I can
not find them. I must have seen her often, and now I wonder if I
ever looked at her, if I ever really dared to look at her. I think
she had golden eyes--the golden tint of a virgin in a stained glass
window through which the sun is shining. How old was she? Sixteen
or seventeen--not older, and perhaps not so old. The fruits of her
country do not need many months for ripening. She appeared taller than
she was, by reason of her slenderness. It would be unjust to call her
thin; slight, yes, but her slight form was full and muscular, and I
wondered at the nascent roundness of her bosom. She was leaping through
hoops that were held before her, and at each spring I trembled lest
the horse should get away or she should miss the large saddle. It made
me happy to tremble for her. Reassured by her skill I began to watch
the movement of her hair, which each time she bounded rose and fell
in cadence upon her shoulders. If a lock fell over her face she would
throw it back with a gesture of annoyance.
The gravity of her countenance showed that she was wholly absorbed in
her work. From time to time her lips would part with the little words
hop, hop, designed to warm up her horse, who was apathetically rounding
the circle. Then she would seat herself on the saddle for a moment’s
rest, her legs hanging, while she indifferently bowed her head in
answer to the applause, her bosom, unconfined by her clinging gown,
rising and falling with her quickened breath. She seemed completely
isolated from all around by her gravity, her indifference. The young
girls whom I knew, my sisters’ friends, used to talk, chatter, laugh,
play, put their arms around each others’ waists. This one was passive
as an idol.
Public-domain text, read in full here on John Shaqi.
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