This tension of my mind inspired in me a great ardour for work. I
achieved brilliant successes with perfect indifference, successes which
contributed to deceive my family, who found in them a proof that I had
accepted my new discipline. A good pupil, as my bulletins had it, could
not but be a fine child and the joy of his family. Aunt Deen sent me
extravagant compliments in bad handwriting, setting all down to the
account of my filial affection. From grandfather I never heard.
But what were these positive results in comparison with the inward
experiences that were going on in me? Little by little I relinquished
all religious practices, building up for myself a sort of mysticism
in which I formed a habit of taking refuge. Imagination substituted
for my walks in the forest and other wild retreats, and even for my
meetings with Nazzarena, a sort of abstract notion of nature and of
love in which I found intense joy. I invented elusive landscapes and
ideal passions. I was at the age in which one most easily lives in
metaphysical chimeras, when ideas are mistaken for affections, and
the sensibilities have no need of the spring-board of reality to leap
into action. In my dreams I was my own master, until such time as life
should make me independent. I had discovered the independence of the
brain, and that it can supply all that is lacking. And to crown all,
I threw myself into music as into an element which takes one’s own
shape; plastic and so to say liquid, it lent itself to all my longings
with a docility which filled me with wonder. I had come upon the
_Freischütz_ and _Euryanthe_, that forest where the alleys
reach beyond sight. It was more beautiful and especially more vast than
the one which long ago had awakened me to the latent life of things.
By it I scaled mountains higher and more inaccessible than that to
which the shepherd had been leading his flock. And sometimes the sharp
pain of the notes that I drew from my instrument brought back to me
the unforgettable lamentation of the nightingale in love with the
rose: _All night long I wear out my throat for her, but she sleeps
and hears me not_. For her? I did not know her name, I could not
perceive her face, but that she existed I had not the slightest doubt.
But--strange phenomenon--she was no longer Nazzarena: fidelity itself
was but one more chain to break.
With the help of music and of my thoughts I built for myself a palace
into which no visitor was admitted: they thought me present, and simply
absent-minded, when in fact I had retreated to my solitude, the only
place where I was actually myself. This faculty of concentration set me
apart from friendship. No schoolfellow was admitted to my friendship;
so that my family, against which I was in rebellion, by itself alone
represented to me all humanity.
Public-domain text, read in full here on John Shaqi.
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