The House by the Church-YardLe Fanu, Joseph Sheridan
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The House by the Church-Yard
Le Fanu, Joseph Sheridan
Country life -- Ireland -- Fiction; Ireland -- Social life and customs -- 18th century -- Fiction
But his step sounding through the hall, and the stories about the place
of which he was conscious. He battled with his disturbed foolish
sensations, however, and though he knew there was a candle burning in
his bed-room, he turned aside at the foot of the great stair, and
stumbled and groped his way into the old wainscoted back-parlour, that
looked out, through its great bow window, upon the haunted orchard, and
sat down in its dismal solitude.
He ruminated upon his own hard fate--the meanness of man-kind--the
burning wrongs, as he felt confident, of other times, Fortune's
inexorable persecution of his family, and the stygian gulf that deepened
between him and the object of his love; and his soul darkened with a
fierce despair, and with unshaped but evil thoughts that invited the
tempter.
The darkness and associations of the place were unwholesome, and he was
about to leave it for the companionship of his candle, but that, on a
sudden, he thought he heard a sound nearer than the breeze among the old
orchard trees.
This was the measured breathing of some one in the room. He held his own
breath while he listened--'One of the dogs,' he thought, and he called
them quietly; but no dog came. 'The wind, then, in the chimney;' and he
got up resolutely, designing to open the half-closed shutter. He fancied
as he did so that he heard the respiration near him, and passed close to
some one in the dark.
With an unpleasant expectation he threw back the shutters, and
unquestionably he did see, very unmistakably, a dark figure in a chair;
so dark, indeed, that he could not discern more of it than the rude but
undoubted outline of a human shape; and he stood for some seconds,
holding the open shutter in his hand, and looking at it with more of the
reality of fear than he had, perhaps, ever experienced before. Pale
Hecate now, in the conspiracy, as it seemed, withdrew on a sudden the
pall from before her face, and threw her beams full upon the figure. A
slim, tall shape, in dark clothing, and, as it seemed, a countenance he
had never beheld before--black hair, pale features, with a
sinister-smiling character, and a very blue chin, and closed eyes.
Fixed with a strange horror, and almost expecting to see it undergo some
frightful metamorphosis, Mervyn stood gazing on the cadaverous intruder.
'Hollo! who's that?' cried Mervyn sternly.
The figure opened his eyes, with a wild stare, as if he had not opened
them for a hundred years before, and rose up with an uncertain motion,
returning Mervyn's gaze, as if he did not know where he was.
'Who are you?' repeated Mervyn.
The phantom seemed to recover himself slowly, and only said: 'Mr.
Mervyn?'
'Who are you, Sir?' cried Mervyn, again.
'Zekiel Irons,' he answered.
'Irons? what _are_ you, and what business have you here, Sir?' demanded
Mervyn.
'The Clerk of Chapelizod,' he continued, quietly and remarkably sternly,
but a little thickly, like a man who had been drinking.
Mervyn now grew angry.
Public-domain text, read in full here on John Shaqi.
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