The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Young George left them at Westminster Pier, and those two went on
together in the boat. The lights of Chelsea were as beautiful as the
lights of Westminster, and Stephen thought suddenly of Margery's
description of evening by the Solent. It was hardly necessary to go so
far for loveliness, he thought. He was glad that Muriel was with him,
because she too was lovely, but when she clung to him in the old
passionate way he kissed her very gently and without fire. For the
poetry of all that he had seen that day had somehow purged him of the
extravagant fever of the previous nights; and he imagined,
unreasonably, that she too would be ready for this refinement of their
relations. But she was not. She was tired with the long day, with trying
to share an enthusiasm which she did not understand, for colours which
she did not see, and lights which after all were only the ordinary
lights she saw in the streets on the way to dances; she wanted to have
done with that kind of thing now that they were alone again; she wanted
to be hotly embraced and hotly kissed. For the end of this adventure was
terribly near now. After tomorrow her brother was coming to live at home
again; after that there would be no more safety. Tomorrow would be the
last night.
Of all this Stephen was but vaguely sensible. She was still a sweet and
adorable companion, and his soul was still bursting with poetry and
romance, but it was the poetry of the moonlit Thames rather than the
poetry of a furtive passion. And because of this, and because he was
dimly conscious that she looked for some more violent demonstration than
he was able in the flesh to give, he thought suddenly of the Love-Songs
which he had made to her, but never mentioned: and he wondered if they
would please her. He stopped the engine and let the boat drift. Then,
very softly, in a voice timid at first with self-consciousness, but
gathering body and feeling as he went on, he spoke for her the words of
his Love-Songs. At the end he felt that they were very good, better than
he had thought, and waited anxiously to hear what she would say. And she
listened in bewilderment. She was flattered in her vanity that a poet
should have written them for her; but she did not understand them, and
she was not moved or deeply interested.
She said at last: "How _nice_, Stephen! Did you really make up all that
about me?"
And at that the last flicker of the fire which had burned in him for so
many days went out. He saw clearly for the first time the insane
unfitness of their intimacy. In the first fascination of his senses, in
the voluptuous secrecy of their meetings under the moon, he had asked
nothing of her intellect; he had been content with the touch of her
hands, with the warm seduction of her kisses. And these, too, were still
precious, but they were not enough. They were not enough to a poet on a
night of poetry now that his senses were almost satisfied.
Public-domain text, read in full here on John Shaqi.
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