The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
This done, the meeting broke up with a sense that they had been
thwarted, or at any rate unreasonably debarred from a legitimate
exercise of their communal instincts.
But apart from this intelligible disappointment there was a good deal of
head-shaking, and plain, if not outspoken, disapproval of Egerton's
conduct. Stephen, moving among the crowd, gathered easily the sense of
The Chase, and it had veered surprisingly since Whittaker's
announcement. For John Egerton had advanced, it seemed, the astounding
reason that he might _lose_ the case. To the simple people of The
Chase--as indeed to the simple population of England--there was only one
test to a libel action. Either you won or you lost. The complex
cross-possibilities of justification and privilege and fair comment and
the rest of it, which Mr. Dimple was heard to be apologetically
explaining in a corner to a deaf lady, were lost upon them. If you
failed to win your case, what the other man said was true, and if you
were not confident of winning, your conscience could not be absolutely
clear. The meeting rather felt that John Egerton had let them down, but
they were certain that he had let himself down. And it was clear that
even his staunchest supporters, men like Whittaker and Tatham, were
shaken in their allegiance.
But Stephen Byrne was happy. He had trusted to luck again, and luck, or
rather the quixotic lunacy of John Egerton, had saved him again. It was
wonderful. It was all over now. John had finally made his bed, and he
must lie on it. He thought little of what this must mean to John, this
aggravation of the local suspicions. He saw only one thing, that yet
another wall had been raised between himself and exposure, that once
more his anxieties might be thrust into the background. That he might
settle down again with a comfortable mind to literature and domestic
calm. He had forgotten with his fears his compunction of an hour ago; he
had forgotten even to feel grateful to John; and if he thought of him
with pity, it was a contemptuous pity. He saw John now as a kind of
literary figure of high but laughable virtue, a man so virtuous as to be
ridiculous, a mere foil to the heroic dare-devils of life--such as
Gelert and Stephen Byrne.
So he came to his own house, thinking again of those excellent lines of
Gelert's speech. In the hall he composed in his mind the description of
the meeting which he would give to Margery.
Public-domain text, read in full here on John Shaqi.
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