The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
But still, he must be brave. No more cowardice. That was the worst of
all he had done this summer--the cowardice. No more sitting tight at
John's expense. Whatever Margery said. It was sweet of her, but later it
would be different. When all this was forgotten, she would remember ...
she would be living with him, day after day, knowing every night there
was a murderer in her bed, a liar, a coward, a treacherous coward....
Very soon she would hate him. And he would hate her, because she knew.
He would be always ashamed before her, all day, always.... Just now they
did not mind, because they were afraid. But they _would_ mind.... She
had not even minded about Muriel, when he told her--and he had told her
everything. But she would mind that, too, in the end.... She would
always be imagining Muriels.
No, there must be no more cowardice. It must finish now, one way or
another. But there was only one way.
The rain had stopped now, and a warm wind blew freshly from the
south-west. The two swans of the Island washed themselves in the
ruffled shallows, wings flapping and necks busily twisting. In the west
was a stormy and marvellous sky, still dark pillows of heavy clouds,
black and grey, and an angry purple, with small white tufts floating
irresponsibly across them, and here and there a startling lake of the
palest blue; while low down, beneath them, as if rebellious at the long
grey day, and determined somehow to make a show at his own setting, the
sun revealed himself as an orange dome on the roof of the Quick Boat
Company, and poised grotesquely between the tall black chimneys, flung
out behind the Richmond Hills a narrow ribbon of defiant light, and away
towards Hammersmith all the windows in a big house lit up suddenly with
orange and gold, as if the house were burning furiously within. The boat
was heavy now with wood, and Stephen pushed her off, to row home with
his face to the sunset and the storm. Now the light was caught in the
mud-slopes by the Island, and they, too, were beautiful. And as he rowed
he said a self-conscious farewell to the sun and the warm wind and the
river which he loved. No one loved this river as he did. They lived
smugly in their drawing-rooms like Kensington people, and they looked
out at the river when the sun shone at high tide, and in the summer
crept out timidly for an hour in hired boats like trippers. But when it
was winter and the wind blew, they drew their curtains and shivered
over their fires and shut out the river, so that they hardly knew it was
there from the autumn to the spring. They did not deserve to live by the
river; they did not understand it. They did not see that it was lovable
always, and most lovable perhaps when the tide rushed in against the
wild west wind, and the rain and the spindrift lashed your face as you
tossed in a small boat over the lively waves. They thought it was the
noisy storm rushing down a muddy river; they thought the wind made a
melancholy howl about the windows.
Public-domain text, read in full here on John Shaqi.
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