The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
So, after many months, the statue was put up, and reverently unveiled.
It was a noble piece of work. The figure was sitting in an easy posture
on the thwart of a boat, and this rested on a low, broad pedestal that
was just high enough to keep the figure out of the water at the highest
tides, yet so low that you did not notice it. You looked over and saw
simply the slight figure of a young man in grey, sitting near the water
under the tree, his hands clasped about his knees, his feet crossed
naturally, and his head thrown back a little, and his lips a little
parted, as if he were asking some question of the things he saw. It was
the exact posture of Stephen Byrne in that place, as many remembered it;
and the tone and colour of the figure were so quiet and right that it
was part of the scene, part of the river, and part of the Island, as it
was meant to be. And on the pedestal there was written, simply:
IN MEMORY
OF
STEPHEN BYRNE
A GREAT POET
HE LOVED THIS PLACE
The unveiling was a quaint, unusual ceremony. The time chosen was a
little after high tide on a fortunate afternoon in early January, when
the sun shone amazingly in a clear June sky, and the windless river
wore its most delicate blue. There gathered round the draped figure at
the end of the Island a splendid company of men and women. They came
there necessarily in numbers of small boats, and the greater part of
them remained all the time in these boats. They hung there in a dense
crowd, clinging to ropes made fast to the Island. Only the Committee and
the very great men stood on the Island by the tree. All those others,
great and small, sat absolutely silent in their boats for many minutes;
they had come long journeys, some of them, to see this thing, and some
of them were only Saturday holiday-makers, brought there by curiosity as
they rowed upstream; but they all sat silent. And as the hour for the
unveiling came near, the tugs and the barges and the small boats passing
by stopped their engines or laid aside their sweeps or their oars, and
stood still in reverence; and the river stood still, for it was slack
water. All this quietness of respect was very moving; and the men and
women rowed back afterwards in the warm sun, feeling that they had seen
a fine thing.
It was marred only by one strange note. John Egerton and Margery did not
go over for the unveiling; but they watched together from Margery's
garden. And in the stillness there were many there who heard and
remembered the high cackle of hysterical laughter which came over the
water when the figure was revealed. It was a thin and horrible laughter
that had no mirth in it, only a fierce and bitter derision. It went on
for a full half-minute and faded away to a faint sound, as if the man
laughing had gone suddenly into a house.
Public-domain text, read in full here on John Shaqi.
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