The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
of his peace of mind--the way he had managed to entangle John in the
affair. He had John hopelessly entangled now.
It was strange how it had worked out. In the beginning he had honestly
intended "to do the right thing." Or he believed he had. From the time,
at any rate, that John had become seriously involved, he had really
meant to "own up" as soon as Margery was well enough. Probably it would
have meant suicide, he remembered--a long time ago it seemed--thinking
of that; but he was going to do _something_. And then the inspiration
and the chance had come hand in hand that Sunday morning to show him a
better way. It _was_ a better way. He knew quite certainly now that he
would never own up--not even if Margery was to die. He would never say a
word to clear John's character. He had a fairly clear idea now of what
would happen. There would (he hoped) be no further proceedings; the
evidence was too thin. All that John would suffer would be this local
gossip and petty suspicion; and he would have to live that down. John
would not mind--a good fellow, John. But if he did mind, if he ever
showed signs of expecting to be cleared, if he ever suggested a
confession or any rubbish of that sort, the answer would be simple:
"Really, my dear John, the evidence is so strong against you that I
don't really think I should be _believed_ now if I said _I_ did it. And
you must remember, John, you've anyhow sworn all sorts of things on your
oath that you'd have to explain away--the Civil Service wouldn't like
that--perjury, you know. Of course, if you _want_ me, John--but I really
think it would be better from _your_ point of view--I only want to do
the best for _you_, John--"
He could hear himself solemnly developing the argument; and he could see
John bowing to his judgment, acquiescing.
If he didn't acquiesce; if he made trouble, or if the police made
trouble--but Stephen preferred not to think of that. Yet if it did
happen he would be ready. If it was oath against oath, with the scales
weighted already against John, he knew who would be believed.
And, after all, John Egerton, good fellow as he was, would leave but a
tiny gap in the world. What were his claims on life? What had he to give
to mankind? A single man, parents dead, an obscure Civil Servant, at
five hundred a year--a mere machine, incapable of creation, easily
replaced, perhaps not even missed. What was he worth to the world beside
the great Stephen Byrne? Supposing they both died now, how would their
obituary notices compare? John's--but John would not have one; his death
would be announced on the front page of the newspapers. But about
himself there would be half-columns. He knew what they would say:
"Tragic death of a young poet still in his prime ... Keats ...
unquestionable stamp of genius ... a loss that cannot be measured ...
best work still unwritten ... engaged, we understand ... new poem ...
would have set the seal ..." and so on.
Public-domain text, read in full here on John Shaqi.
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