So this poem he was working at was an important thing. The "idea" was comparatively old. It had come to him in a fallow time, and had been stored somewhere away. When the policeman's visit restored his tranquillity, the fallow time was over. The idea was ready to hand, and he had only to take it out and sow it and water it. And as it grew and blossomed under his hand, it commanded him. It made him superior to circumstance; it decorated his fortunes and made them hopeful and benign. Nothing could be harmful or disturbing while he was doing such good work every day. It made him sure that he was right--sure that his decisions were wise. It made him see that no good purpose would be served by telling the world the truth about Emily Gaunt and about John Egerton. So he went on writing. But there was another curious thing about this poem. It was a kind of epic, an immensely daring, ambitious affair. The war came into it, but it was not about the war. Rather it was a great song of the chivalry and courage of the men and women of our time wherever these have appeared. There were battles in it, and the sea was in it, and something of the obscure gallantry of hidden or humble men; and something also of the imperishable heroisms that did not belong to the war--Scott's last voyage and Shackleton's voyage, and the amazing braveries of the air. And day by day, as he sat there in the sun, glorifying, page by page, the high qualities of these men, their courage and their truth and straightness, he was conscious distantly of the strange contradiction between what he was doing and what he was. He stopped sometimes and thought, "This is sincere work that I am doing; I mean it; it excites me; the critics, whatever they say, will say that it is sincere and noble writing. Parents in the days to come may make their children read it as an exhortation to manliness and truth. They may even say that I was a noble character myself.... And all the time I am doing a mean and dirty thing--a cowardly thing. And I don't care. My life is a lie, and this poem is a lie, but I don't care; it is good work."