The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Margery was yet in bed, and Stephen took his visitor out into the hot
garden, where little Joan was wheeling sedately a small pram and the
rabbits lay panting in dark corners. And first he said that he would not
go to the dance. He was busy and he did not love dancing; and anyhow
Margery could not go. But Muriel perched herself on the low wall over
the river, and leaned forward with her blue eyes on his, and a little
pout about her lips; and she said, "Oh, _do_, Mr. Byrne." And there was
a kind of personal appeal in her voice and her eagerness and her steady
smiling eyes that woke up his vanity and his admiration. He thought,
"She really thinks it is important that I should go; she likes me." And
then, "And I like her." And then he said that he would go. They talked a
little in the sun before she went, and when she was gone Stephen felt as
if some secret had passed between them. Also he wondered why he had
thought so little of her existence before. And Muriel went down The
Chase, smiling at some secret thought.
They dined hurriedly at Brierleys' that Saturday. Muriel and her brother
and Stephen and John, and two young sisters of the name of Atholl, to
whom George Tarrant owed an apparently impartial allegiance. They were
equally plump and unintelligent, and neither was exciting to the outward
eye, but it seemed that they danced well. But to young George this was
the grand criterion of fitness for the purpose of a dance. John's idea
of a dance--and Stephen's--was a social function at which you
encountered pleasant people with whom, because there was dancing, one
danced. But it was soon made clear to him that these were the withered
memories of an obsolete age. For this was the time of the Great Craze. A
dance now was no social affair; it was a semi-gladiatorial display to
which one went to perform a purely physical operation with those who
were physically most fitted to perform it. Dancing had passed out of the
"party" stage; it was no longer even a difficult, but agreeable and
universal pastime; it was practically a profession. It was entirely
impossible, except for the very highly gifted, even to approximate to
the correct standards of style and manner without spending considerable
sums of money on their own tuition. And when they had finished their
elaborate and laborious training, and were deemed worthy to take the
floor at the Buxton Galleries at all, they found that their new
efficiency was a thin and ephemeral growth. The steps and rhythms and
dances which they had but yesterday acquired, at how much trouble and
expense, passed today into the contemptible limbo of the unfashionable,
like the hats of last spring; and so the life of the devotee was one
long struggle to keep himself abreast of the latest invention of the
astute but commercially-minded professional teachers. "For ever climbing
up the climbing wave," for ever studying, yet for ever out-of-date, he
oscillated hopefully between the Buxton Galleries and his chosen priest;
Public-domain text, read in full here on John Shaqi.
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