The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Upon this whirlpool John Egerton embarked with the gravest misgivings,
especially as he was conscious of a strange Miss Atholl clinging to his
person. Young George Tarrant had immediately plunged into the storm with
her sister, and his fair head was to be seen far off, gleaming and
motionless like a lighthouse above the tossing heads and undulant
shoulders. Stephen had secured Muriel Tarrant, and poor John was very
miserable. If he had been less shy, or more intimate with Miss Atholl,
he might have comforted himself with the comedy of it all. And if he had
been more ruthless he might have bent Miss Atholl to his will and
declined to attempt anything but his own primitive two-step. But he
became solemn and panic-stricken, and surrendered his hegemony to her,
suffering her to give him intricate advice in a language which was
meaningless to him, and to direct him with ineffectual tugs and pushes
which only made his bewilderment worse. The noise was deafening, the
atmosphere stifling, the floor incredibly slippery. The four black men
were now all shouting at once, and playing all their instruments at
once, working up to the inconceivable uproar of the finale, and all the
dancers began to dance with a last desperate fury and velocity. Bodies
buffeted John from behind, and while he was yet looking round in apology
or anger, other bodies buffeted him from the flank, and more bodies
buffeted his partner and pressed her against his reluctant frame. It was
like swimming in a choppy sea, where there is no time to recover from
the slap and buffets of one wave before the next one smites you.
Miss Atholl whispered, "Hold me tighter," and John, blushing faintly at
these unnatural advances, tightened a little his ineffectual grip. The
result of this was that he kicked her more often on the ankle and trod
more often on her toes. Close beside him a couple fell down with a crash
and a curse and the harsh tearing of satin. John glanced at them in
concern, but was swept swiftly onward with the tide. He was dimly aware
now that the black men were standing on their chairs bellowing, and
fancied the end must be near. And with this thought he found himself
surprisingly in a quiet backwater, a corner between two rows of chairs,
from which he determined never to issue till the Last Banjo should
indeed sound. And here he sidled and shuffled vaguely for a little,
hoping that he gave the impression of a man preparing himself for some
vast culminating feat, a sidestep, or a "buzz," or a double-Jazzspin, or
whatever these wonders might be.
Then the noise suddenly ceased; there was a burst of perfunctory
clapping, and the company became conscious of the sweat of their bodies.
John looked round longingly for Muriel.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account