The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Muriel, he knew, was enjoying it too. Her eyes were half-closed, her
face, a little pale, had the aspect of absolute surrender which can be
seen in churches. But sometimes she opened her eyes wide and smiled at
Stephen. And this excited him very much, so that he watched for it; and
when she saw that she blushed. Then he was swept with a hot gust of
feeling, and he realized that he was dangerously attracted by this girl.
He thought of Margery and the late vows he had made, and he was ashamed.
But the mad dance went on, with ever-increasing fury, and the black men
returned with a vast tempestuous chord and a shattering crash of cymbals
to the original melody, and all those men and women braced themselves to
snatch the last moment of this intoxication. Those who were dancing with
bad partners or dull partners were filled with bitterness because they
were not getting the full measure of the dance; and those who held the
perfect partners in their arms foresaw with sorrow the near end of their
rapture, and began, if they had not already begun, to conceive for each
other a certain sentimental regard. Stephen thought no more of Margery,
but he thought tenderly of Muriel and the moment when the dance must
end. For when it ended all would be over; he might not hold her in his
arms any more, he might not enjoy her loveliness in any way, because he
was married, and she was dedicated to John. She was too good for John.
But because he was married he must stand aside and see her sacrificed to
John or to somebody like John. He must not interfere with that. But he
would like to interfere. He would like to kiss her at the end of the
dance.
The dance was finished at last, and while they sat together afterwards,
hot and exhausted, Muriel said suddenly, "What's all this about Mr.
Egerton--and--that maid of yours--? There are some horrid stories going
round--Mrs. Vincent--Mother said she wouldn't listen to any of them."
Stephen was silent for a little. Then he said, in a doubtful, deliberate
manner:
"Well, I've known John as long as anybody in The Chase, and I know he's
a jolly good fellow, but--but--It was an extraordinary affair, that,
altogether. I don't know what to make of it." He finished with a sigh of
perplexity.
Then he sat silent again, marvelling at himself, and Muriel said no
more.
John came up and stood awkwardly before them. He wanted to ask Muriel
for the next dance, but he was too shy to begin. His dress-suit was
ill-fitting and old, his hair ruffled, his tie crooked, and as she lay
back on the sofa Muriel could see a glimpse of shirt between the top of
his trousers and the bottom of the shrunken and dingy white waistcoat,
where any pronounced movement of his body caused a spasmodic but
definite hiatus. His shirt front had buckled into a wide dent. Of all
these things poor John was acutely conscious as he stood uncertainly
before the two.
Public-domain text, read in full here on John Shaqi.
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