New York (N.Y.) -- Fiction; Prostitutes -- Fiction
They had a third drink, for "old time's sake," as Mary suggested, and
this she succeeded in pouring down her dress-front. At the fourth,
Max began to show signs of fear that he would have a drunken woman on
his hands, but Mary's patent sobriety soon reassured him, and
overcame his protests against a fifth by recalling his promise of
liberality.
His cold eyes sparkled into a faint light. Little spots of red
appeared in the olive of his cheeks. He felt the advance of the
enemy in his veins and tried to go; but Mary began an imaginative
narrative of her recent experiences and insisted on his listening.
When he at last successfully interrupted that, she twitted him with
being able to drink less than his pupils, and Max was once more
forced to order. He was not drunk, or nearly drunk, but the fine
edge of his discretion was dulled: he saw in the woman, who had now
moved to his side, nothing that, whatever motives might be at work,
could possibly harm him; he found something ludicrous in the
situation. Her looks seemed better than they had appeared an hour
earlier, and her tentative advances flattered him.
Mary, though she had drunk more than was good for her, had managed to
spill enough liquor to retain all the sobriety she needed; but, when
they at last rose, she swayed a little unsteadily.
"Now," she said, "you'll just buy me a half-pint for my head in the
mornin', an' then you'll walk as far as my door."
Still enjoying the piquancy of the affair, he obeyed her. He even
consented to come to her hall-bedroom with her--a room the exact
reproduction of that which she had formerly rented farther
uptown--and there, forgetful of the provision against the morning,
they finished the half-pint.
At last he stood up from the bed on which he had been sitting while
she, opposite, used the single chair.
"Vell," he said, grinning; "it's been good to see you again, und
maybe I'll gome back some efenin'."
She rose before him. The light was at her back and her face resumed,
as she stood there, some furtive traces of its earlier grace. The
eyes seemed to soften, the cheeks were a natural pink beneath their
coating of rouge, and her russet hair, curling about her face,
relieved the harder outlines and cast a gentle shadow around the
neck. She spread out her arms.
"Kiss me," she said.
He smiled and leaned condescendingly toward her.
"What's your hurry?" she murmured.
He looked at her, and the weak light and the strong liquor stood her
in good stead.
"I ain't in no hurry," he smiled.
She met him smile for smile--and then, in a sudden sense of triumph,
she flung back her head and laughed.
It was not until three hours later that he finally left her, but he
left hurriedly, for the remorseless gray light of morning was coming
in at the window, and it fell upon her as she wrapped a soiled pink
kimona around her shivering figure and slipped her feet into a pair
of rundown Turkish slippers.
"Good-by," he said, looking away from her.
Public-domain text, read in full here on John Shaqi.
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