We shall find it yet, ere the sun has set,
If we fare straight on, come fine, come wet,
Wayfarers--I and you.”
The soft, husky voice ceased, and for a moment there was silence. Then
Tormarin said quietly:
“Thank you. I don’t think your mother need have felt any great
disappointment concerning your voice. It has its own qualities, even if
it is not suited to the concert hall.”
“But the words of the song?” questioned Jean eagerly. “Don’t you like
them?”
“It’s a pretty enough idea.” He laid a faint, significant stress on the
last word. “But for some of us the ‘House of Dreams-Come-True’ has never
been built. Or, if it has, we’ve lost the way there.”
There was a note of rigid acceptance in his voice, as though he no
longer strove against the decisions of destiny, and Jean’s eager
sympathy leaped impulsively to her lips.
“Don’t say that!” she began. Then checked herself, flushing a little.
“I hate to hear you speak in that way,” she went on more quietly. “It
sounds as though there were nothing worth trying for--worth waiting for.
I like to believe that everyone has a house of dreams which may ‘come
true’ some day.” She paused. “‘If we fare straight on, come fine, come
wet,’” she repeated softly.
Her eyes had a far-away look in them, as though they were envisioning
that narrow, winding track which leads, somewhen, to the place where
dreams even the most wonderful of them--shall become realities.
Glorious faith and optimism of youth! If we could only recapture it in
those after years, when time has added tolerance and a little wisdom
to our harvest’s store, the houses where dreams come true might add
themselves together until there were whole streets of them--glowing
townships--instead of merely an isolated dwelling here or there.
As Tormarin listened to Jean’s young, eager voice, his face softened and
some of the tired lines in it seemed to smooth themselves out “Little
Comrade,” he said gently, and she felt her breath quicken as he called
her again by the name which he had used at Montavan--and once since,
when they had come suddenly face to face at Coombe Eavie Station. But
that second time the words had escaped him unawares. Now he was using
them deliberately, withholding no part of their significance.
“Little comrade, I think the man who ‘fares straight on’ with you for
fellow-traveller _will_ find the House of Dreams-Come-True. But it
isn’t--just any man who may start that journey with you. It mustn’t
be”--his grave eyes held hers intently--“a man who has tried to find the
road once before--and failed.”
Public-domain text, read in full here on John Shaqi.
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